“CHIANG MAI-MAI: MODERN ARCHITECTURE OF CHIANGMAI BETWEEN 1884-1975” IS A BOOK THAT BRINGS TOGETHER INFORMATION AND DATA FROM DIFFERENT DIMENSIONS AND ASPECTS OF RELATIONSHIPS AND CONNECTIONS TAKING PLACE WITHIN THE CONTEXT AND PHYSICALITY OF CHIANG MAI’S ARCHITECTURE
THE BIGGEST FAILURE OF THIS BOOK WAS THE DECISION TO ADD BACKGROUND INFORMATION ON THE OPPOSITE PAGES OF THE FOUR-PANEL ILLUSTRATIONS BY KAIMEOW
OVER THE PAST COUPLE OF YEARS, WE HAVE SEEN BIG BRANDS DEVELOPING THEIR FONTS, CREATING THEIR OWN ACCENT FOR DIFFERENT MEANS AND PLATFORMS OF COMMUNICATION, BOTH PHYSICAL AND DIGITAL
DIRECTED BY RUBEN ÖSTLUND, THE SQUARE IS A FILM THAT CHRONICLES THE LAUNCH OF THE SQUARE, THE LATEST PIECE OF LAND ART BY X ROYAL CONTEMPORARY ART MUSEUM
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BANGKOK HAS WELCOMED COUNTLESS FOREIGN FILM CREWS FROM HOLLYWOOD BLOCKBUSTERS
WHAT’S EXTRA SPECIAL ABOUT THE TWO ISSUES OF AG IS THE FACT THAT THE TWO EDITORS CHOSE TO GO ACROSS THE OCEAN AND EXPLORE THE ARCHITECTURAL REPERTOIRE OF LEGENDARY THAI ARCHITECT, DR. SUMET JUMSAI NA AYUDHAYA
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THOSE WHO ARE FAMILIAR WITH JAPANESE LITERATURE (THE LIKES OF HARUKI MURAKAMI, RYU MURAKAMI, THE LATE YUKIO MISHIMA, OR NATSUME SOSEKI ETC.) MAY BE USED TO THE MELLO VIBE RADIATING FROM THE LATTER’S BOOKSHELVES KESHIKI
‘A FLOWERY CRY OF BIRTH’ IS THE RESULT OF ‘AN ARTIST IS TRYING TO BEING A WRITER,’ AN EXHIBITION BY ARAYA RASDJAMREARNSOOK
