FOUNDED ON THE FIRM BELIEF THAT “EVERYONE HAS THE RIGHT TO PARTICIPATE IN AND INFLUENCE THE DESIGN AND PLANNING PROCESS THAT AFFECT THEM,” PARTICIPATE IN DESIGN (P!D) ISN’T INTERESTED IN MAKING THINGS FOR YOU BUT RATHER WITH YOU.
PRESENTING LAST YEAR’S EXHIBITION OF THE SAME NAME HELD AT THE NATIONAL DESIGN CENTRE BY THE DESIGNSINGAPORE COUNCIL IN BOOK FORMAT, ‘FIFTY YEARS OF SINGAPORE DESIGN’ BREAKS THE NATION’S DESIGN HISTORY DOWN INTO A TIMELINE OF IMAGERY AND TEXT, TRACING THE STORY OF HOW ONE NATION-STATE HAS GROWN INTO A GLOBAL CREATIVE CITY.
THE MINIATURE BEAUTY OF POSTAGE STAMPS IS CAPTURED IN A BIG WAY WITHIN THIS NEW PUBLICATION BY UNIT EDITIONS
A GROUP OF TOKYO-BASED ARCHITECTS UNDER THE NAME OF RAD GO THE OPPOSITE DIRECTION FROM DIGITAL WITH THEIR RELASE OF LOG/OUT
TNOP DESIGN TAKE USERS ON A JOURNEY TO THREE IMAGINARY ISLANDS WHILE CALLING UPON PAPER ITSELF AS MODE OF TRANSPORTATION
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ARK: WORDS AND IMAGES FROM THE ROYAL COLLEGE OF ART MAGAZINE 1950-1978, ONE OF THE MOST REMARKABLE, YET RADICAL, STUDENT ART PERIODICALS TO COME OUT OF THE UK.
FROM THE BOLD VISIONS BEHIND ITS MAKING TO THE CHALLENGES THAT HAD TO BE OVERCOME, ‘THE MAKING OF NATIONAL GALLERY SINGAPORE’ CAPTURES THE WHOLE STORY.
GRAPHIC DESIGNER PARINDA SAKDANARASETH CREATES BOOKS THAT CAN BE READ VIA BOTH VISUAL, TACTILE AND AESTHETIC LANGUAGES…
ART4D SPOKE WITH CLIFF LEONG AND ZEEJAY WONG OF THE ALPHABET PRESS, A LETTERPRESS STUDIO BASED IN KUALA LUMPUR, MALAYSIA AIMED AT “CREATING INTRICATELY UNIQUE LETTERPRESS WORKS THAT PUSH THE PROVERBIAL ENVELOPE.”
ECHO YANG DESCRIBES HER WORK AS “SILENT, DETAILED, STRUCTURAL, SENSORIAL AND EXPERIMENTAL.” ART4D SPOKE WITH THE TAIPEI-BASED GRAPHIC DESIGNER ABOUT A FEW RECENT PACKAGE DESIGNS, BOTH OF WHICH DRAW FROM THE MUSIC THEY ENCLOSE TO STEER THE DIRECTION OF THEIR DESIGN.
