WHO
Mizah Rahman from Participate in Design
WHAT
A Participatory Design approach where we design with people and not just for people
WHEN
2010 – present
WHERE
Local Neighborhoods in Singapore
WHY
To enable everyday citizens in shaping the built environment
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WHO
UGO LI
WHAT
Painting
WHEN
2007 – present
WHERE
Rouen, Paris (FRANCE), Montreal (CANADA), NewYork (USA), Bangkok (THAILAND)
WHY
To confront my painting expression to myself here or elsewhere
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WHO
Einstein Studio
WHAT
Publish, Edit, Curation
WHEN
2011 – present
WHERE
Tokyo, Japan
WHY
Our mission is to introduce young Japanese photographers to the world.
WHO
TypoKaki
WHAT
Typography and type design collective
WHEN
2012 – present
WHERE
Kuala Lumpur, Malaysia
WHY
To explore typography and type design specific to the cultures in Malaysia.
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WHO
Teng-Yuan Chang
WHAT
Visual artist
WHEN
2008 – present
WHERE
Taipei , Taiwan
WHY
Through my paintings and animation installations from recent years, I raise questions about how humans will move into the next era.
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WHO
Nguyen Manh Hung
WHAT
Artist
WHEN
1998–present
WHERE
Vietnam
WHY
To reflect on our life while making art and finding myself..
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WHO
Tae Parvit
WHAT
Artist/Illustrator
WHEN
Since 1993
WHERE
Bangkok Boy
WHY
I want to do what I love.
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WHO
KuwaKenta, graphic & art direction; a pineapple lover
WHAT
The driving force behind KuwaKenta Collection and cofounder of NOWORNEVER Design
WHEN
2014–present
WHERE
Kuala Lumpur, Malaysia
WHY
“NOW OR NEVER ” reflects our mindset that we treat every single possibility as our quest to push the boundaries of creativity, and strive to experiment in the pursuit of a progressive design experience.
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WHO
Baan Puri Puri (Pajitpong Pongsivapai & Khajorn Jaroonwanit)
WHAT
A group of architects turned small developer
WHEN
2012 to present
WHERE
Bangkok, Thailand
WHY
To bring design and aesthetics into small developments in Thailand
WHO
Map Office (Laurent Gutierrez and Valerie Portefaix)
WHAT
“Moves the boundaries of traditional architectural practice with work that ranges from territorial and urban planning to gallery installations.”
WHEN
1997 to present
WHERE
Hong Kong
WHY
“To more precisely examine the mechanisms of production and distribution and their impact on local geography and the environment.”
