CHEMPENAI HOUSE BY WHBC ARCHITECTS FRAMES AND EMBRACES THE SURROUNDING JUNGLE IN A “CONCRETE TROPICAL BOX.” art4D CAUGHT UP WITH THE KUALA-LUMPUR BASED ARCHITECTURE STUDIO TO LEARN HOW THE PROJECT FINDS PLACE AMONGST THE TREES WHILE “ENCOURAGING THE ENDURING LANDSCAPE TO GROW BOTH AROUND AND WITHIN.”
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GEODESIC DESIGN ARTICULATES THE BRILLIANT CONTINUITY OF AN ARCHITECTURAL LANGUAGE THAT IS UNIQUE IN BOTHS ITS FORM AND PROCESS OF FORMATION.
M SPACE CALLS UPON STEEL AS MATERIAL TO PAIR A SENSE OF MODERNITY WITH THE NOTION OF ‘FREEDOM’
RIRKRIT TIRAVANIJA TEAMS UP WITH KULAPAT YANTRASAST OF wHY TO LESSEN THE DISTANT CONNECTION BETWEEN PEOPLE AND THE RIVER AT CURRENT:LA
A COWORK / COPLAY / COSTAY SPACE BY KUALA-LUMPUR BASED SEKSAN DESIGN IMAGINES NEW POSSIBILITIES FOR MAKER-MINDED COMMUNITIES.
THE AMERICAN HARDWOOD EXPORT COUNCIL (AHEC) PRESENTS ‘THE SMILE,’ A COLLABORATION BETWEEN ARCHITECT ALISON BROOKS AND ARUP AT THE LONDON DESIGN FESTIVAL.
HOUSE UDONTHANI BY SPACETIME ARCHITECTS COEXISTS WITH THE SURROUNDING LOCALITY WHILE ALSO PRESERVING ITS OWN UNIQUE IDENTITY
CO-CREATE CHAROENKRUNG PRESENTS A NEW MODEL OF URBAN DEVELOPMENT CALLED “DESIGN THINKING,” WHICH ALLOWS FOR STAKEHOLDERS TO PLAY THE ROLE OF PROJECT DESIGNERS
THERE ARE TWO GREAT DIFFICULTIES WHEN IT COMES TO BEING A LANDSCAPE ARCHITECT IN THAILAND. FIRST, IS CONVINCING CLIENTS NOT TO REMOVE TREES FROM ONE SITE IN ORDER TO INCORPORATE THEM INTO ANOTHER, AND SECOND, WORKING IN A MANNER THAT ALLOWS FOR THE STUDIO TO MAINTAIN THEIR INITIAL VISION.
SANITAS STUDIO DELVES INTO THE REALM OF BOTH LANDSCAPE ARCHITECTURE AND FINE ART, DRAWING FROM ELEMENTS SUCH AS SOCIAL CONTEXT, CULTURAL NORMS AND HUMAN BEHAVIOR TO DEVELOP WORKS THAT EXPLORE THE VARIOUS POSSIBILITIES OF INTERACTION AND FORMS OF DIALOG THAT CAN BE FACILITATED BETWEEN PEOPLE AND THE BUILT ENVIRONMENT.
