WHAT DOES THE DESIGN OF ONE’S OWN OFFICE SPACE BRING WITH IT? FOR PONGTHEP SAKULKU OF AUGUST DESIGN CONSULTANT, IT’S AN OPPORTUNITY TO EXPERIMENT WITH THOSE UNFAMILIAR MATERIALS, FITTINGS, AND DETAILS THAT THE CLIENT OFTEN REJECTS.
INSPIRE YOURSELF
Category: MAGAZINE
KAWAKONG
“IN OUR STUDIO WE ALSO HAVE WHAT WE CALL OUR BSIDES,” DESCRIBES KL-BASED KAWAKONG. “SELF-INITIATED WORK DEVELOPMENT, STUFF BESIDES WHAT WE USUALLY DO… WORKS WE LOVE SLIGHTLY MORE.”
JUN ONG
JUN ONG UTILIZES LIGHT AS A PLACE-MAKING TOOL, VIA MANIPULATION OF BOTH THE MATERIAL’S PHYSICAL AND INTANGIBLE QUALITIES.
HTA + PIZZINI
OBSERVATION AND NEGOTIATION AT THE CULTURAL SHORELINE. A SHIFTING APPROACH TOWARD DESIGN AND PRESERVATION IN RAPIDLY CHANGING HO CHI MINH CITY, art4d TALKS WITH HTA + PIZZINI ARCHITECTS.
TAE PARVIT
WHO
Tae Parvit
WHAT
Artist/Illustrator
WHEN
Since 1993
WHERE
Bangkok Boy
WHY
I want to do what I love.
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GRAPHIC STAMPS
THE MINIATURE BEAUTY OF POSTAGE STAMPS IS CAPTURED IN A BIG WAY WITHIN THIS NEW PUBLICATION BY UNIT EDITIONS
I WRITE YOU A LOT
IN ‘I WRITE YOU A LOT’ BY NATWAPHOL THAMRONGRATTANARIT, VIEWERS THEMSELVES ARE TURNED INTO MATERIALS WHILE THE DIRECTOR BECOMES AN ART PIECE THAT SPECTATORS LOOK FORWARD TO SEEING…
YOON HYUP
USING LINE AS LANGUAGE, YOON HYUP’S PAINTING PROCESS IS SIMILAR TO THAT OF PLAYING IMPROVISATIONAL MUSIC, WHERE LINE AND DOTS ARE CALLED UPON TO EXPRESS ENERGY WITH FLOW AND RHYTHM.
VO TRONG NGHIA
FROM THE DELICACY OF DETAIL IN BAMBOO TO THE VITALITY OF CREATING AN URBAN STRUCTURE, art4d SPOKE WITH VO TRONG NGHIA ABOUT HIS AIM TO EXPLORE EVERY POSSIBLE WAY TO GO BEYOND THE EXISTING STANDARDS
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BOOK VENDING MACHINE
AUTOMATIC BOOK VENDING MACHINES ARE NOTHING NEW, BUT THE INTERESTING THING ABOUT THESE FIRST TWO HAVING BEEN INSTALLED IN SINGAPORE LIES IN THE MOTIVATION BEHIND THE PROJECT.