ATRIO SERIES, GROHE’S ICONIC COLLECTION, WHICH DESIGN TEAM REDESIGNS THE PRODUCT LINE BY PRESERVING THE ORIGINAL DESIGN’S IDIOSYNCRATIC CURVED LINES AND CYLINDRICAL FORM WHEREAS ALL THE EXCESSIVE ELEMENTS ARE SIMPLIFIED. THE FINAL RESULT IS THE DESIGN OF THE FAUCET WHOSE SIMPLE YET SLEEK SILHOUETTES BESPEAK CLASSIC STYLISHNESS.
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BEYOND FUNCTIONAL DEMANDS, FORMICA INFINITI® ALLOWS FOR DESIGN INSPIRATIONS TO BE MATERIALIZED WITHOUT ANY LIMITATIONS AND SERVES AS AN IDEAL CHOICE FOR PROJECTS OF VARIOUS KINDS.
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THE EVOLVING AESTHETICS AND FUNCTIONALITIES BROUGHT ABOUT BY DESIGN AND THE PROGRESS OF TECHNOLOGY THROUGH DIFFERENT TIME PERIODS HAVE DEFINED THE WAY OFFICE SPACES AND FURNITURE DESIGN HAVE DEVELOPED WITH ABSTRACT VALUES.
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AMIDST THE TIME WHEN PLASTIC TECHNOLOGY WAS WAITING FOR THE MOMENT TO KNOCK ON THE DOOR OF PEOPLE’S HOUSE. STAYING BETWEEN THE REALITY AND THE ILLUSION, THE IMAGE OF SMITHSON’S HOUSE OF THE FUTURE IS GRADUALLY TRANSFORMED FROM THE IMAGERY OF PEOPLE LIVING IN A PLASTIC HOUSE – IN WHICH IS FULL OF LIGHTWEIGHT BELONGINGS WITH A SMOOTH SURFACE WAXY TO TOUCH – INTO THE REALITY.
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PLASTIC AND THE WORLD OF DESIGN AFTER WORLD WAR II ARE INSEPARABLE. LET’S TRY TO SIT WHILE THINKING ABOUT HAVING A PLASTIC-FREE LIFE FOR A DAY. IT’S SO SIMILAR TO THE QUESTION OF HOW DO YOU LIVE WITHOUT A MOBILE PHONE FOR A DAY, ISN’T IT?
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AN ELEVATOR IS NOT JUST FOR THE DEVELOPMENT OF HIGH-RISE BUILDING ANYMORE, BUT IT ALSO BRINGS THE NEW POSSIBILITY OF VERTICAL TRAFFIC THROUGH THE LAYERS OF THE CITY.
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NOWADAYS, ADJUSTING OUR VIEWPOINT BACK AND FORTH BETWEEN VARIOUS SCALES LIKE IN FILMS SEEMS TO BE ANOTHER SKILL THAT PEOPLE MUST UNDENIABLY LEARN.
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SAY GOODBYE TO A PARALLEL VENT PIPE IN YOUR SHAFT WITH GEBERIT SUPERTUBE, THE LATEST SANITARY TECHNOLOGY FROM GEBERIT TO LAUNCH THIS YEAR
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