Tag: collage

FALA ATELIER COMPLETES A THREE-STORY RESIDENCE THAT LOOKS LIKE A COLLAGE OF GRAPHIC ELEMENTS. IN THE MIDDLE OF THE HOUSE IS A TRICKY FLOATING COLUMN THAT SERVES NO PURPOSE OTHER THAN BEING AN ELEMENT FOR THE STUDIO TO UNLEASH THEIR CREATIVE INSTINCT

TEXT: PRATCHAYAPOL LERTWICHA
PHOTO CREDIT AS NOTED

(For Thai, press here)

If one was asked to name an architectural studio with some wonderfully fresh and playful designs, Portuguese architectural practice Fala Atelier would most certainly be at the top of the list. The studio’s approach to architectural design utilizes the digital collage method to put various different components, shapes, and colors together, bound by no constraints but just creative instincts and imagination.

Fala Atelier takes their playful ingenuity to a new level with Suspended House, a residential project in Porto, Portugal. Inside, a strangely out-of-place concrete column positioned at the very center of the house has no weight-bearing obligation. While the column seems to be for purely decorative purposes, its presence functions like a hinge, dividing each level into four equal sections.

So, how can we know that this particular column has no structural burden? It’s because the columns on the lower level hover a few inches above the ground.

So, how can we know that this particular column has no structural burden? It’s because the columns on the lower level hover a few inches above the ground.

One can reasonably assume that the homeowner must be a design enthusiast who desires a unique and artsy home. But that is not the case here. The owner is a person who was searching for an architect to sign the working drawing in order to obtain the construction permit and get everything done and over with without even being that concerned about the design. The search for an architect was motivated mostly by necessity rather than a passion for design.

“This was a house designed for a friend who was not interested in architecture at all. Most of his requests were of little importance for the design, allowing us to be free in our intentions,” said Fala Atelier.

Suspended House is a three-story residence with the main entrance on the second floor, which corresponds to the road level in front of the house. The back façade has a strikingly looking and colorful sun protection tarp. A silver drainpipe appears boldly in the middle, splitting the façade in half. The upper trims of the window frames are clad in a black and white striped pattern that has no precise significance or reasoning behind it. The most bizarre aspect of the façade is the pink circular slab of marble that stands boldly at the top of the structure.

The walls that link to the centerpiece column divide the second and third floors of the home into four sections. The column serves as a frame for the dark blue doors that surround it. The architect did not specify the function of each space, leaving it up to the owner to bring the house to life. The first level lacks the partitioning walls found on the other floors of the home, but the column remains, suspended above the ground. The levitating concrete column was joined to the beam framework above. Initially, the concrete column was designed to stand on its own. But, once the concrete was set and dried, the architect removed the bottom portion of the column, transforming it into a mind-boggling floating mass. The ceiling on the first floor reveals a protruding portion, giving the area the appearance of a three-dimensional collage rather than a play on different elements on a flat plane.

The project is similar to other works done by Fala Atelier in that it began with a simple requirement, and the architect was brought in more out of necessity than anything else. It corresponds to the current period in which Portugal’s real estate business has been revitalized with the prospect of a glorious return after the 2008 global economic recession. A design with such a strong character is a way for the studio to unleash itself from the repetitive briefs and constraints it has seen over the past several years and to be completely free of any expectation for utilitarian objectives or even meaning.

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