THE FIRST INDEPENDENT SCREEN-PRINTING STUDIO IN CHINA, IDLEBEATS IS DEDICATED TO THE CREATION OF SOULFUL SCREEN-PRINT ART. FOUNDED IN SHANGHAI IN 2009 BY NINI SUM AND GREGOR KOERTING, IDLEBEATS NEVER CEASES TO EXPLORE THE NATURE AND POSSIBILITY OF THE SILKSCREEN MEDIUM AND IS ALSO AN EXPERT IN HOSTING SILKSCREEN WORKSHOPS, PRINTING SHOWS AND EXPERIMENTAL LIVE PRINT MAKING EVENTS.
THE CERAMIC VIEW BANGKOK: EXHIBITION FOR MODERN CERAMICS BY IAC MEMBERS, KULSTROM/PARK AND THE FACULTY OF ARCHITECTURE AT CHULALONGKORN UNIVERSITY CHALLENGE THE CONVENTIONAL UNDERSTANDING AND PRECONCEPTION WE HAVE FOR THE ART OF SHAPING CLAY INTO FORM
“SLEEP VARIES DRASTICALLY FROM PERSON TO PERSON AND FROM CIRCUMSTANCE TO CIRCUMSTANCE. EVERYONE HAS THEIR OWN PATTERNS, WHICH IN TURN CHANGE ACCORDING TO SURROUNDING CONDITIONS,” AND FOR CURRENT ARTIST-IN-RESIDENCE AT HOF ART SPACE, ANNA FAFALIOU, “THESE ARE WORTH EXPLORING.”
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LET’S EXPLORE BEHIND THE GLASS MOSAIC WALL AND ANY OTHER WALLS OF MAIIAM, TO SEE HOW CONTEMPORARY ART SHOULD BE HOUSED…
“IN OUR STUDIO WE ALSO HAVE WHAT WE CALL OUR BSIDES,” DESCRIBES KL-BASED KAWAKONG. “SELF-INITIATED WORK DEVELOPMENT, STUFF BESIDES WHAT WE USUALLY DO… WORKS WE LOVE SLIGHTLY MORE.”
JUN ONG UTILIZES LIGHT AS A PLACE-MAKING TOOL, VIA MANIPULATION OF BOTH THE MATERIAL’S PHYSICAL AND INTANGIBLE QUALITIES.
WHO
Tae Parvit
WHAT
Artist/Illustrator
WHEN
Since 1993
WHERE
Bangkok Boy
WHY
I want to do what I love.
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IN ‘I WRITE YOU A LOT’ BY NATWAPHOL THAMRONGRATTANARIT, VIEWERS THEMSELVES ARE TURNED INTO MATERIALS WHILE THE DIRECTOR BECOMES AN ART PIECE THAT SPECTATORS LOOK FORWARD TO SEEING…
USING LINE AS LANGUAGE, YOON HYUP’S PAINTING PROCESS IS SIMILAR TO THAT OF PLAYING IMPROVISATIONAL MUSIC, WHERE LINE AND DOTS ARE CALLED UPON TO EXPRESS ENERGY WITH FLOW AND RHYTHM.
PRACTICAL DESIGN STUDIO CELEBRATES THEIR 12 YEARS OF DESIGN EXPERIENCES IN STYLE BY REWINDING TO THE NEXT.
