FIVE EMERGING THAI ARTISTS JOIN FORCES UNDER A COLLECTIVE AIMED AT ACCOMPANYING THEM THROUGH THE PROCESS OF QUESTIONING THEMSELVES, WHAT THEY’VE LEARNED AND WHERE THEY’RE HEADED.
TAIGERS
Category: ART
CHAT ROOM
GRISANA EIMEAMKAMOL TAKES ON THE ROLE OF ‘DOCUMENTER OF THOUGHTS’ IN AN EXHIBITION / CONVERSATION HELD AT BANGKOK CITYCITY GALLERY
ZONES AND VERBS
RECENT EXHIBITION BY ORAWAN ARUNRAK TURNS THE GALLERY INTO A SPACE OF ORIGIN, FOR THOUGHTS TO COME ABOUT AND MOVE FORWARD FROM.
WHETHER IT IS ART OR NOT
A NEW DOCUMENTARY SHORT BY DESIGNER NUANKHANIT PHROMCHANYA LOOKING AT THE LIFE AND WORKS OF THAI ARTIST CHAVALIT SOEMPRUNGSUK BRINGS THE STRUGGLES FACED BY CREATIVE INDIVIDUALS, WHETHER PAST OR PRESENT, INTO FOCUS.
IDLEBEATS
THE FIRST INDEPENDENT SCREEN-PRINTING STUDIO IN CHINA, IDLEBEATS IS DEDICATED TO THE CREATION OF SOULFUL SCREEN-PRINT ART. FOUNDED IN SHANGHAI IN 2009 BY NINI SUM AND GREGOR KOERTING, IDLEBEATS NEVER CEASES TO EXPLORE THE NATURE AND POSSIBILITY OF THE SILKSCREEN MEDIUM AND IS ALSO AN EXPERT IN HOSTING SILKSCREEN WORKSHOPS, PRINTING SHOWS AND EXPERIMENTAL LIVE PRINT MAKING EVENTS.
CERAMIC VIEWS
THE CERAMIC VIEW BANGKOK: EXHIBITION FOR MODERN CERAMICS BY IAC MEMBERS, KULSTROM/PARK AND THE FACULTY OF ARCHITECTURE AT CHULALONGKORN UNIVERSITY CHALLENGE THE CONVENTIONAL UNDERSTANDING AND PRECONCEPTION WE HAVE FOR THE ART OF SHAPING CLAY INTO FORM
SLEEP BY ANNA FAFALIOU
“SLEEP VARIES DRASTICALLY FROM PERSON TO PERSON AND FROM CIRCUMSTANCE TO CIRCUMSTANCE. EVERYONE HAS THEIR OWN PATTERNS, WHICH IN TURN CHANGE ACCORDING TO SURROUNDING CONDITIONS,” AND FOR CURRENT ARTIST-IN-RESIDENCE AT HOF ART SPACE, ANNA FAFALIOU, “THESE ARE WORTH EXPLORING.”
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MAIIAM CONTEMPORARY ART MUSEUM
LET’S EXPLORE BEHIND THE GLASS MOSAIC WALL AND ANY OTHER WALLS OF MAIIAM, TO SEE HOW CONTEMPORARY ART SHOULD BE HOUSED…
KAWAKONG
“IN OUR STUDIO WE ALSO HAVE WHAT WE CALL OUR BSIDES,” DESCRIBES KL-BASED KAWAKONG. “SELF-INITIATED WORK DEVELOPMENT, STUFF BESIDES WHAT WE USUALLY DO… WORKS WE LOVE SLIGHTLY MORE.”
JUN ONG
JUN ONG UTILIZES LIGHT AS A PLACE-MAKING TOOL, VIA MANIPULATION OF BOTH THE MATERIAL’S PHYSICAL AND INTANGIBLE QUALITIES.