KHAO SAN HIDE AND SEEK
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NO MORE THOUGHTLESS DEMOLITION
ART4D JOIN THE TRIP ‘PHRAE HERITAGE IN ACTION’ TO EXPLORE SEVERAL HISTORICAL BUILDINGS IN THE PROVINCE. THE TRIP TOOK PLACE FOLLOWING THE ACCIDENTAL DEMOLITION OF THE WOODEN STRUCTURE HOME TO THE BOMBAY BURMAH HOUSE
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ENZO MARI
‘ENZO MARI: 25 WAYS TO DRIVE A NAIL,’ TRANSLATED INTO THAI LANGUAGE FROM THE ORIGINAL ITALIAN EDITION, SHEDS LIGHT ON THE STORY OF THE ITALIAN MODERNIST FURNITURE DESIGNER AS BROKEN DOWN INTO 16 CHAPTERS
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33 YEARS ON DEATH ROW!
IN RECOGNITION OF THE EUROPEAN AND WORLD DAY AGAINST DEATH PENALTY, OCTOBER 10, THE EU DELEGATION TO THAILAND INVITES US TO WATCH A NEW DOCUMENTARY “HAKAMADA” SHOWING HOW A FAULTED JUSTICE SYSTEM HAD PUT IWAO HAKAMADA IN PRISON FOR 47 YEARS, 33 OF WHICH ON DEATH ROW
THE LONGEST WAY ROUND IS THE SHORTEST WAY HOME
THE EXHIBITION, THE LONGEST WAY ROUND IS THE SHORTEST WAY HOME, BY NONTAWAT NUMBENCHAPOL, TELLS THE STORY OF TA, A YOUNG MAN OF TAI YAI DESCEND, AND HIS JOURNEY BACK HOME TO APPLY FOR THE IDENTIFICATION CARD AFTER SIX YEARS OF BEING AWAY
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APPLE CENTRAL WORLD
ART4D SPEAKS WITH CHRIS BRAITHWAITE, SENIOR DIRECTOR OF RETAIL AND DESIGN AT APPLE, ABOUT ITS SECOND STORE IN BANGKOK AND HOW THIS ‘TREE CANOPY’ BECOMES APPLE’S FIRST EVER CYLINDRICAL GLASS DESIGN
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THROUGH THE ROYAL EYES
GLASS PLATE NEGATIVES: STORIES THAT TRANSCEND TIME, FEATURES WORKS OF PHOTOGRAPHS TAKEN BY MEMBERS OF THE ROYAL FAMILY AND THEIR ENTOURAGE. CAPTURED ON GLASS FILM, THE 102 PHOTOGRAPHS TELL STORIES ENCOMPASSING THE PERIOD BETWEEN THE REIGN OF KING RAMA IV AND KING RAMA VII
OBSERVING BAAN POMPHET
HOW DOES THE LATEST PROJECT BY ONION, WHICH RECENTLY OPENED ITS DOOR TO THE PUBLIC MONTHS AGO, FIND ITS WAY AROUND AN UNEXPECTED OPPORTUNITY DURING THE TIME OF COVID-19? WHAT IS IT THAT BRINGS PEOPLE TO THIS BRICK ‘SPOT’ IN AYUTTHAYA? OBSERVED M.L.CHITTAWADI CHITRABONGS
THE DOOR IS OPEN (PART 2)
THE SECOND PART OF ‘THE DOOR IS OPEN’ STILL CONTINUES OUR FOCUS ON DOOR TO ASIA BANGKOK, A PROGRAM HELD AS A PART OF BANGKOK DESIGN WEEK 2020, BY ELABORATING ON ANOTHER TWO PROJECTS IN SAMPENG AND PRATUPHEE COMMUNITIES
THE DOOR IS OPEN (PART1)
