OFFICE 03 | GUARDIAN GLASS
EXPLORE WHY THE LEADING OFFICE BUILDING USED ‘GLASS’ TO EMPHASIZE THE SIGNIFICANCE OF THE ENTRANCE HALL AS A PLACE FOR VISITORS’ FIRST IMPRESSION
OFFICE 03 | GUARDIAN GLASS
EXPLORE WHY THE LEADING OFFICE BUILDING USED ‘GLASS’ TO EMPHASIZE THE SIGNIFICANCE OF THE ENTRANCE HALL AS A PLACE FOR VISITORS’ FIRST IMPRESSION

Tomohiko Yamanashi | Photo: Don Amatayakul
ART4D SPEAKS WITH TOMOHIKO YAMANASHI, ARCHITECT OF NIKKEN SEKKEI, TO EXPLORE ALL THE THINGS CONCEALED IN HIS WORK, INCLUDING SCIENCE, CULTURE, SUSTAINABILITY, AND THE ROLE OF THE ARCHITECT IN THE FUTURE, WHERE CLIMATE CHANGE WILL BE THE MAJOR CHALLENGE OF THE COMING DECADE
ABIE ABDILLAH, INDONESIAN FURNITURE DESIGNER FROM STUDIO HIJI, COMBINES INDONESIAN CRAFT WITH AMERICAN HARDWOOD TO CREATE AN CONTEMPORARY FURNITURE DESIGN WITH A LOCAL VALUE
CONDOMINIUM | GUARDIAN GLASS
APART FROM BEAUTY, THE USE OF GLASS IS DEFINITELY IMPROVE THE DWELLER’S QUALITY OF LIFE. EXPLORE THE USE OF GLASSES IN HIGH-RISE BUILDING, ESPECIALLY CONDOMINIUM, THAT NEED TO BE OUTSTANDING AND CATERS ITS LIMITED SPACE OF EACH ROOMS AS WELL

IN THIS YEAR’S LAST EPISODE OF FORMICA TALK SERIES, CHARIF LONA FROM STUDIO ACT OF KINDNESS SPEAKS TO KARJVIT RIRERMVANICH, ART4D EDITOR, ABOUT THE INSPIRATION AND THE APPLICATION OF SURFACE MATERIALS WHICH CONTINUOUSLY STANDS OUT IN HIS WORKS Read More
IT SEEMS LIKE HUMANS ARE COVERTLY PROPELLED BY STORIES WE HAVE BEEN MADE UP OF: GOD, DEMOCRACY, OR CAPITALISM. ARIN RUNGJANG REVISITS FICTION AND POWERS THAT SHAPE HUMAN SOCIETY INTO WHAT IT IS WITH HIS ARTWORKS
CHIANG MAI DESIGN WEEK (CMDW) HAD BEEN HELD FOR EIGHT CONSECUTIVE YEARS NOW. THIS YEAR’S CMDW ARE AROUND THEMED ‘LOCAL RISE-ACTION’ WHICH ASKS HOW A MAJOR CONCEPT SUCH AS ‘SUSTAINABILITY’ MAY BE ADAPTED TO FIT A CITY SUCH AS CHIANG MAI
STAY TUNED FOR ARCHITECT EXPO 2023 OR ARCHITECT’23, WHICH IS HELD UNDER THE THEME ‘TUM THAD: TIME OF TOGETHERNESS’ THAT REPRESENTS THE COMING TOGETHER OF ARCHITECTS FROM ALL FIELDS, AS WELL AS OTHER CREATIVES AND DESIGNERS IN THE MOST QUINTESSENTIALLY THAI CHARACTERISTICS: THE FOOD CULTURE
A SEQUEL TEA SHOP OF KAOMAI ESTATE 1955 WHERE PAVA ARCHITECTS UTILIZE THE ‘RECONSTRUCTION’ DESIGN PROCESS TO BRING BACK THE ORIGINAL VIBE OF 70-YEAR-OLD TOBACCO-CURING BARNS
A DESIGN LAB WITH THE INTENTION TO TRANSFORM ABANDONED RECYCLED AND ECO-FRIENDLY MATERIALS INTO HOME DECORATION AND FURNITURE, ILLUSTRATING THE ALTERNATIVE WAYS OF DESIGN THAT ARE BOTH FRIENDLY TO THE ENVIRONMENT AND CATER TO DESIGN LOVERS