AFTER THE NEWS BROKE ABOUT GOVERNMENT OFFICIALS REMOVING THREE PHOTOGRAPHS FROM ‘WHITEWASH,’ A PHOTOGRAPHY EXHIBITION BY HARIT SRIKHAO HELD AT GALLERY VER IN BANGKOK, THE EXHIBITION HAS BEEN INSEPARABLY ATTACHED TO THAILAND’S POLITICAL SNAFUS.
KAMAKURA SHIRTS BY POAR ARCHITECTS IS A TAILORED GENTLEMEN’S SHIRT BOUTIQUE AND ONE OF THE NEWEST ADDITIONS TO BANGKOK’S ARI QUARTER.
INSTEAD OF USING HIS PAINTINGS TO TALK ABOUT MORALITY, THIS SHIRAZ-BORN ARTIST PAINTS TO QUESTION CONTEMPORARY SOCIAL ISSUES
WITH 25 YEARS OF EXPERIENCE IN GRAPHIC DESIGN, MAJID ABBASI IS UNDOUBTEDLY THE ONE WE SHOULD TALK TO WHEN WE TALK ABOUT GRAPHIC DESIGN IN IRAN
ALIREZA TAGHABONI PORTRAYED THREE PRINCIPALS THAT BIND TOGETHER THE CORE THINKING OF NEXTOFFICE WHICH AIMS TO DRIFT AROUND THE PARALLEL LIVES OF IRANIANS
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STOCKHOLM-BASED SNASK ATTEMPTS TO REBRAND NOT JUST AN ORDINARY ITEM OR EVEN AN ORDINARY ORGANIZATION, BUT THE MOST CONTROVERSIAL COMMUNIST COUNTRY IN THE WORLD…
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THIS YEAR’S THAI PAVILION AT BIENNALE ARTE WELCOMED SOMBOON HOMTIENTONG AND NUMTHONG SAE-TANG AS ARTIST REPRESENTATIVES AND CURATORS WHILE THE 14TH DOCUMENTA BROUGHT THE PARTICIPATION OF ARIN RUNGJANG WITH ‘AND THEN THERE WERE NONE… TOMORROW WE WILL BECOME THAILAND’…
NOW BASED IN BERLIN, HAKIMI-SCHÜLER CREATES ART THAT TALKS ABOUT HER CHILDHOOD MEMORIES THAT SAW BOTH THE ISLAMIC REVOLUTION AND THE IRAN-IRAQ WAR
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EXPLORING THE FIRST AND ONLY IRANIAN GRAPHIC DESIGN MAGAZINE
FOR EILKHANI AND NABIAN, RE-THINKING THE TYPOLOGY OF THE CITY’S TYPICAL ARCHITECTURE IS THEIR QUEST THAT HAS LED TO THE OPTIMIZATION OF SPACE AND EXPERIENCE
