‘SIMĀ,’ THE SECOND SOLO EXHIBITION BY CHAN CHAO-VACHARANONT SINVARAVATN, EXPLORES THE CONCEPT OF ‘BOUNDARIES’ THROUGH THE LENSES OF BUDDHISM, BELIEF SYSTEMS, LANDSCAPES, AND SPACES IMBUED WITH HUMAN-CREATED MEANING
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BANGKOK ART AND CULTURE CENTRE (BACC) HOLDS THE 7TH EARLY YEARS PROJECT EXHIBITION WHERE SEVERAL PROMISING ARTISTS SHOWCASE OUTSTANDING ARTWORKS REFLECTING THEIR VIEWS ON MODERN THAI SOCIETY
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HAVING A CONVERSATION WITH VACHARANONT SINVARAVATN WHOSE LANDSCAPE PAINTINGS ARE A FAR CRY FROM THE IDEAS AND CONCEPTS OF ‘ROMANTIC’ BUT INSTEAD QUESTION THE ‘ROMANTICIZATION’ OF THE COUNTRYSIDE
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