‘WE CAN’T DO IT ALONE.’ SINGORAMA ART FEST 2026 LAYS ITS FOUNDATION IN THE HEART OF THE COMMUNITY—BOTH PEOPLE AND PLACE
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FROM MEMORIES OF HIS MOTHER TO ‘PRINCESS OF ANXIETY,’ AN EXHIBITION BY RATCH OSATHANUGRAH TRANSFORMS EMOTIONS, FEELINGS, AND IMAGINATION INTO A SHARED EXPERIENCE FOR VIEWERS
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LORNA MASHIBA REVEALS THE CHALLENGES AND OPPORTUNITIES FOR CONTEMPORARY ART IN TANZANIA, AND RECOUNTS RANGI GALLERY’S JOURNEY AS AN AFRICAN REPRESENTATIVE AT ART ONO
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A CONVERSATION REVEALING THE IDENTITY OF TUCK BANGKOK BY TUCK MUNTARBHORN, FROM THE CONCEPT OF ART SANCTUARY AND THE FUSION OF FAMILY HERITAGE IN MEDICINE AND FASHION, TO BUILDING A BRIDGE CONNECTING THAI ART TO THE INTERNATIONAL STAGE THROUGH ART ONO
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WHEN PAINTING IS MORE THAN JUST PAINTING, BUT A CONVERSATION WITH A SELF ONCE LEFT BEHIND, ‘PEDRO TEACH ME HOW TO PAINT’ BY UNCHALEE ANANTAWAT IS NOT JUST AN EXHIBITION, BUT A SPACE WHERE SHE CAN REDISCOVER HER PAST SELF
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A SOLO EXHIBITION FROM LEE BUL, INTERROGATING THE DEFINITIONS AND VALUES OF DIFFERENT ERAS, THE NOTION OF PROGRESS, AND THE CYBORG Read More
EXPLORE ART BASEL HONG KONG 2026, HONG KONG’S NEXT STEP TO TRANSFORM ART SPACES, FROM GALLERIES TO MUSEUMS, INTO PLACES THAT ARE TRULY FOR EVERYONE
ENCOUNTER THE SCENE OF ‘DUST,’ THE BORDERLESS SLOW-MOTION COLLAPSE, THROUGH THE ‘BLUEPRINT OF THE APOCALYPSE’ BY KHAN NATHI, WHO CAPTURES A PART OF THE DUST IN THE AIR AND TRANSFORMS IT INTO ART
TO DWELL, TO EXIST, EXPLORING ABSALON’S ‘CELLS’ AND THE ARCHITECTURE OF SOLITUDE IN DESCRIPTION WITHOUT PLACE Read More
DESIGNED BY SANAA, THE TAICHUNG GREEN MUSEUMBRARY SERVES AS A NEW CULTURAL HUB WHERE ART, KNOWLEDGE, AND THE PARK’S GREENERY CONVERGE
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