ENCOUNTER THE SCENE OF ‘DUST’, THE BORDERLESS SLOW-MOTION COLLAPSE, THROUGH THE ‘BLUEPRINT OF THE APOCALYPSE’ BY KHAN NATHI, WHO CAPTURES A PART OF THE DUST IN THE AIR AND TRANSFORMS IT INTO ART
EXPLORE THE CALM, SMOOTH, AND FLOWING PAVILION OF BRT INTERTECH AND CONTEXT STUDIO, WHERE ARCHITECTURE IS RELATED TO THE RHYTHM OF HUMAN BREATHING UNDER THE CONCEPT OF A ‘PRANASATHAN,’ AT ARCHITECT’26 Read More
TO DWELL, TO EXIST, EXPLORING ABSALON’S ‘CELLS’ AND THE ARCHITECTURE OF SOLITUDE IN DESCRIPTION WITHOUT PLACE Read More
‘MO NUM EN TS,’ AN EXHIBITION BY SOM SUPAPARINYA, DISMANTLES THE MEANING OF MONUMENTS, QUESTIONING HOW OUR REMEMBRANCE IS SYSTEMATICALLY CONSTRUCTED BY LATENT POWER Read More
CARRIERS EXHIBITION OFFERS US A SPACE OF REFLECTION ON HUMAN-ENVIRONMENT RELATIONSHIP THROUGH THREE ARTISTS’ MEMORIES AND OBSERVATIONS Read More
FROM EXPLORING THE LANDSCAPE OF CONFLICT, THE EXHIBITION ‘UNDO PLANET PART 2: LAND ART AND NON-HUMAN BEINGS’ EXPANDED TO ADDRESS THE RELATIONSHIP BETWEEN HUMANS AND NATURE IN THE CONTEXT OF THE ANTHROPOCENE ERA
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‘PEOPLE PLACE POIESIS’ IS AN EXHIBITION FEATURING WORKS BY MARINA TABASSUM THAT EXPLORES THE ROLE OF ARCHITECTURE AMIDST ENVIRONMENTAL AND SOCIAL CRISES IN BANGLADESH
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STPI PRESENTS A PRINTMAKING EXHIBITION SPACE THAT REFLECTS THE POWER OF COLLABORATION AND THE CONNECTION BETWEEN ART, TECHNOLOGY, AND TIME IN THE PRINT SHOW AND SYMPOSIUM SINGAPORE 2026
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POLY MGM PRESENTS ‘SILK ROADS BEYOND BORDERS,’ AN EXHIBITION THAT TAKES VIEWERS ON A JOURNEY THROUGH THE LAND-BASED SILK ROAD, EXPLORING ITS HISTORY, ART, AND CONTEMPORARY TECHNOLOGY AS A SPACE FOR CULTURAL, ARTISTIC, AND SPIRITUAL EXCHANGE
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RE-EXAMINE ‘PAST KARMA’ IN THE SAME OLD KARMA EXHIBITION, WHICH PROVIDES A SPACE FOR VIEWERS TO REFLECT ON THEIR PAST ACTIONS THROUGH THE ARTWORK AND PRESENTATION OF ARAYA RASDJARMREARNSOOK
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