THE BANK OF THAILAND WAS DESIGNED BY A DUTCH ARCHITECT 40 YEARS AGO WITH ALMOST NO LANGUAGE
AS NEUTRAL AS A NATIONAL BANK CAN BE
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CREATIVE EXPO TAIWAN 2018
April 18 – 22, 2018
TAIWAN
Various locations around Taipei
Q&A WITH GLENN MURCUTT
“START OFF YOUR OFFICE THE WAY YOU WANT TO FINISH.”
GLENN MURCUTT : PROJECTS
“AS ARCHITECTS WE HAVE BOTH OPPORTUNITIES AS WELL AS A CHALLENGE IN DEFINING OUR POSITIONS, TO CONSIDER WHAT ARCHITECTURE IS OR WHAT IT WANTS TO BE IS TO BE FRIGHTENED BY OPENNESS
GLENN MURCUTT : AUSTRALIAN LANDSCAPE
I COME BACK TO AUSTRALIA, AND WE KNOW THAT THE NON-INDUSTRIALISED SIDE OF OUR SOCIETIES, AND THE FARMERS, AND THE PEOPLE WHO ARE NOT ARCHITECTS, OFTEN UNDERSTAND WHAT THEIR PLACE IS
HELLO, ROBOT. DESIGN BETWEEN HUMAN AND MACHINE
THE EXHIBITION ‘HELLO, ROBOT. DESIGN BETWEEN HUMAND AND MACHINE’ HELD AT VITRA DESIGN MUSEUM IN MID-2017 SEEMS TO BE AN ATTEMPT TO SHOWCASE THE MANY ASPECTS OF THE ROLE OF ROBOTS BY THROWING VIEWERS A SERIES OF QUESTIONS AS STARTERS FOR A CONVERSATION TO BE FURTHER ELABORATED UPON.
GLENN MURCUTT : BACKGROUND AND INFLUENCES
IT’S BEEN SAID THAT WE MAKE OUR BUILDINGS AND OUR BUILDINGS MAKE US
GLENN MURCUTT : THE LUXURY OF TIME
PIONEER OF AN AUSTRALIAN ARCHITECTURAL FORM
SARINYA LIMTHONGTIP
THE GRAPHIC DESIGNER WHO DRESSES IN HER TEXTILES srinlim
AN AWFUL BIT OF HISTORY
A NEWLY OPENED MUSEUM IN TAIPEI PORTRAYS THE LIFE AND TEARS OF “COMFORT WOMEN” DURING WWII