AN EXHIBITION BY LEE ANANTAWAT
FEBRUARY 11 – 24, 2017
CARTEL ART SPACE, BANGKOK
NO REGRET
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DUKE CONTEMPORARY ART SPACE
AT TIMES INSANITY OR MADNESS FOR SOMETHING IN PARTICULAR HAS BEEN THE ROOT OF THE CAUSE THAT ALLOWED FOR ONE TO ACCOMPLISH A TASK, DESCRIBES GALLERY MANAGER PATTICHA THITITHAMMAPORN OF THE INAUGURAL EXHIBITION AT THIS NEW BANGKOK ART SPACE.
ESZTER CHEN
ESZTER CHEN IS A VISUAL ARTIST BORN IN TAIPEI, RAISED IN L.A., AND CURRENTLY WORKING BETWEEN THE TWO. CHEN CREATES WORKS THAT UNFOLD THROUGH BOTH PATTERN AND PERSONALITY, EXPLORING BOTH HER COMMERCIAL AND PERSONAL PRACTICES THROUGH DRAWING, PAINTING, MIXED-MEDIA AND SURFACE DESIGN.
BODW 2016
THE CITIZENS OF HONG KONG NOT ONLY VALUE DESIGN FOR ITS AESTHETIC ASPECTS, BUT ALSO AS A CRUCIAL MECHANISM THAT HELPS TO PROPEL THE ECONOMY JUST AS MUCH AS SCIENCE AND ENGINEERING DO.
365 DAYS : LIFE MUSE
AN INTERDISCIPLINARY AND COLLABORATIVE ART PROJECT REALIZES A MODEL STUDY FOR NONGPO COMMUNITY’S FOREIGN LABORERS THROUGH DIALOGUE AND THE CREATIVE PRACTICES FOSTERED BY 22 PARTICIPATING ARTISTS.
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MATERIAL ENCORE
GREEN OFFICE PARK 6 BY INDONESIA-BASED ILATAAJ MANIPULATES SCALE, POSITION AND ORIENTATION TO REALIZE AN OVERALL SPATIAL EXPERIENCE DEFINED BY BOTH FINISHES AND SHAPE REPETITION.
THAI MANGA COMIC SEMINAR
WHEN IT COMES TO THE IDENTITY OF THESE STORYBOARDS, THE CONTEMPORARY PHENOMENON OF THE INDUSTRY IS AN INTEGRATION OF STYLES TRANSCENDING CULTURAL BORDERS.
RECIPE BOOK OF PHAK CHI
THE POPULARITY OF CILANTRO OR ‘PHAK CHI’ IN JAPAN OVER THE PAST YEAR GOT MANY PEOPLE THINKING THAT PERHAPS THE JAPANESE WERE BORN WITH A STRONGER SENSE OF SMELL THAN MOST OF US. BUT THE REALITY IS THEY ARE THE SAME.
INSPIRATION HALL
THE HKTDC INNODESIGNTECH EXPO HELD ALONGSIDE BODW WEEK 2016 RECENTLY WELCOMED THE START OF SOMETHING MORE — MORE IDEAS, MORE CONVERSATIONS, AND MORE DISCOVERY.
JAY GUAN-JIE PENG
WHO
Jay Guan-Jie Peng.
Co-Founder of Project On Museum.
Co-Founder of Meow Found.
WHAT
Graphic Design
WHEN
2008-Present
WHERE
Taipei, Taiwan
WHY
To do something I really like.