IN RECENT EXHIBITION ‘PEOPLE, MONEY, GHOSTS (MOVEMENT AS METAPHOR),’ THE THREE THINGS THAT MOVE US ARE THE THINGS WE CREATE…
THE SUM OF FEAR
Category: ART
PAPER TRAILS
THERE’S NOTHING CONVENTIONAL ABOUT RECENT EXHIBITION BY KORNKRIT JIENPINIDNAN, NEVERTHELESS, SUCH UNUSUALNESS HAS ITS REASONS…
ONLY HE IS NOT HERE
MONTIEN BOONMA WOULD HAVE BEEN 64 YEARS OLD THIS YEAR IF HE WERE HERE, LEAVING HIS ARCHIVE BEHIND IN A SPACE OF 40 SQ. M
LAW OF THE JOURNEY
BLACK IN COLOR AND MASSIVE IN SIZE, AI WEIWEI’S LATEST INSTALLATION OBJECT BEARS THE SHAPE OF AN INFLATABLE BOAT CARRYING OVERSIZED FACELESS REFUGEE FIGURES.
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KAWITA VATANAJYANKUR
THIS 29-YEAR-OLD ARTIST CURRENTLY FEATURED WITHIN THE ALAMAK! PAVILION ON THE OCCASION OF THE 2017 VENICE ART BIENNALE COMBINES PAINTING AND PERFORMANCE TO QUESTION SOCIAL NORMS.
PUSH
FIRST WITH CERAMICS, NOW WITH PHOTOGRAPHY, PRACH KONGSUBTO ROHITCHAN (BON) IS STILL SHOOTING FOR THE TOP.
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LIFE AT 60
ANU KAMAR ON CHAVALIT SOEMPRUNGSUK’S EXHIBITION: ‘BACK TO NATURE AT 60.’
THE ART PROJECT OF ECOLOGICAL AESTHETIC IN THAI RICE CULTURE
WITH ARTIST WIJIT APICHARTKRIENGKRAI’S LONG-STANDING ROLE AND PARTICIPATION IN THE PUBLIC ART COMMUNITY, THE OBJECTIVE OF HIS STUDY AND EXPLORATION OF RICE-RELATED CULTURE ENCOMPASSES A SEARCH FOR THE PRESENCE OF AESTHETIC THEORIES SUCH AS RELATIVE AND CONVERSATIONAL AESTHETICS.
JOAN CORNELLÁ: BANGKOK SOLO EXHIBITION
THE EXHIBITION UNDER THE NAME JOAN CORNELLÀ: BANGKOK SOLO EXHIBITION HELD AT THE FUTURE FACTORY TELLS US THAT THAI PEOPLE ARE MORE INTERESTED IN ART THAN MANY WOULD THINK…
TRANSFER(S)
AN EXHIBITION CONCEIVED FROM THE COLLABORATION BETWEEN SEVEN THAI AND FRENCH DESIGNERS AND THEIR FIELDWORK WITH THE CRAFTSMEN AND CRAFTSWOMEN IN CHIANG MAI.
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