“WHERE IS THE BOUNDARY IS WHEN IT COMES TO THE SAFETY OF MY PRIVACY?” ASKS PHOTOGRAPHER/NURSE PANIDA SRIJAJ. “IF WE’RE TALKING FROM THE ASPECT OF MY PROFESSION, THERE ARE CERTAIN RISKS BUT IF YOU VIEW A NURSE AS A NORMAL YOUNG WOMAN, THEN IT SHOULDN’T BE ANY PROBLEM.”
365 DAYS LIFE MUSE BY BAAN NOORG COLLABORATIVE ART & CULTURE USES ALTERNATIVE AESTHETICS TO NARRATE THE LIVES OF MYANMAR IMMIGRANTS
THIS PUBLICATION FEATURING 28 FILIPINO ARTISTS PRESENTS THE CHARACTERISTICS OF METRO MANILA’S NEIGHBORHOODS ALONG WITH EACH ARTIST’S VIEWS ON THEIR OWN ART.
FOR ITS FIFTEENTH LEG, THE MAN&GOD EXHIBITION TRAVELED TO BANGKOK WHERE ARTISTS SEARCHED FOR WAYS IN WHICH SPIRIT AND ART IMPACT PEOPLE’S BELIEFS AND THEIR CHOICE TO BELIEVE
THROUGH THE COLLABORATION OF KLAOMAS YIPINTSOI, THE DIRECTOR OF THE OFFICE OF MRIGADAYGAVAN PALACE AND CURATOR, CHITTI KASEMKITVATANA, ‘HISTORY’ AND ‘CONTEMPORARINESS’ ARE GIVEN EQUAL IMPORTANCE AND COEXIST BEAUTIFULLY WITHIN THE SPACE OF THE ARCHIVES ROOM.
AT TIMES INSANITY OR MADNESS FOR SOMETHING IN PARTICULAR HAS BEEN THE ROOT OF THE CAUSE THAT ALLOWED FOR ONE TO ACCOMPLISH A TASK, DESCRIBES GALLERY MANAGER PATTICHA THITITHAMMAPORN OF THE INAUGURAL EXHIBITION AT THIS NEW BANGKOK ART SPACE.
ESZTER CHEN IS A VISUAL ARTIST BORN IN TAIPEI, RAISED IN L.A., AND CURRENTLY WORKING BETWEEN THE TWO. CHEN CREATES WORKS THAT UNFOLD THROUGH BOTH PATTERN AND PERSONALITY, EXPLORING BOTH HER COMMERCIAL AND PERSONAL PRACTICES THROUGH DRAWING, PAINTING, MIXED-MEDIA AND SURFACE DESIGN.
AN INTERDISCIPLINARY AND COLLABORATIVE ART PROJECT REALIZES A MODEL STUDY FOR NONGPO COMMUNITY’S FOREIGN LABORERS THROUGH DIALOGUE AND THE CREATIVE PRACTICES FOSTERED BY 22 PARTICIPATING ARTISTS.
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TAIPEI-BASED O.OO DESIGN STUDIO HAS CRAFTED NOT ONLY A “STAGE FOR RISOGRAPH TO PLAY UPON” BUT ALSO A BODY OF DESIGN WORKS THAT REACH BEYOND THE PRINTED PAGE TO INSTALLATION, INTERACTION AND THE EXPONENTIAL REALMS OF EXPERIMENTATION.
INTERACTIVE EXHIBITION BY ARTIST BO LAW AT THE PMQ BUILDING IN HONG KONG EXPLORES “A VIRTUAL ENCOUNTER WITH NEIGHBORLY NOSTALGIA.”
