AN EXHIBITION FROM NAKROB MOONMANAS WHERE THE ARTIST USES COMPUTATIONAL LINGUISTICS TO ANALYZE ONE OF THE LITERARY MASTERPIECES, TRIBHUMIKATA, AND CREATES A NEW STORY THAT IS FREE FROM THE ORIGINAL AUTHOR AND NARRATIVE’
TIMIRBHU: THE NEW WORLD ORDER
Category: ART
‘WHY’ A SOLO EXHIBITION BY ADITYA NOVALI
A LATEST SOLO EXHIBITION BY ADITYA NOVALI, WHICH QUERIES ABOUT THE PERCEPTION OF REALITY AMIDST THE AGE OF DIGITALIZATION AND THE WAYS THINGS ARE IN THE WORLD THROUGH A GEN-X LENS
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ART JAKARTA 2022
TAKE A LOOK AT ART JAKARTA 2022, AN INDONESIA’S ART FAIR THAT WELCOMES VISITORS OF ALL BACKGROUNDS AND SIGNALS THE RECOVERY OF THE ART MARKET
EXISTENCE OF VOID
INSTEAD OF DEPENDING ON ESOTERIC OR MEDITATION, TAWATCHAI PUNTUSAWASDI EXPLORES HIS OWN ‘VOID’ VIA MATHEMATICAL OPERATION AND TURNS THE RESULT INTO DRAWINGS AND SCULPTURES
THANAVI CHOTPRADIT
INTRODUCING THANAVI CHOTPRADI – A WRITER, AN ART HISTORIAN, A PROFESSOR, AND A CURATOR WHOSE NAME IS CIRCULATING IN THE CONTEMPORARY ART SCENE FOR DECADES, AND TALK ABOUT HER ROLES ON TAKING THE ART VIEWERS TO EXPERIENCE OTHER ASPECTS OF ART, IN ADDITION TO THE INFLUENCE OF THE CREATOR
NEWS FROM YESTERYEAR
THE EXHIBITION REVEALS THE MISCELLANEOUS DETAILS IN THE LIFE OF JIM THOMPSON, THE ‘THAI SILK KING’, AND INVITES THE VIEWERS TO COLLECT AND CREATE THEIR OWN NARRATIVE ABOUT JIM THOMPSON
SOMETHING WAS HERE
EXPLORE THAI MODERN ARCHITECTURE IN THE 20TH CENTURY (WHICH NOW EXISTS ONLY IN THE MEMORY) AND FIND THE ANSWER TO ‘WHAT IS THE VALUE OF ARCHITECTURE?’ IN THE EXHIBITION BY WEERAPOL SINGNOI (FOTO_MOMO)
GOLEM 2022 – UNCANNY
IN GOLEM 2022 – UNCANNY EXHIBITION, RUANGSAK ANUWATWIMON CREATES A HUMAN-LIKE PERFECT CREATURE FROM OTHER LIVING SPECIES SPECIMENS, POINTING OUT THE PRICE OTHER LIVING SPECIES HAVE TO PAY FOR HUMAN ENDLESS DESIRES
MUSEUM OF POPULAR HISTORY
ART4D SPEAKS TO ANON CHAWALAWAN, A FOUNDER OF THE MUSEUM OF POPULAR HISTORY WHO RECORDS A POLITICAL MOVEMENT OUTSIDE THE MAINSTREAM NARRATIVE BY COLLECTING OBJECTS THAT SEEMS RATHER CONVENTIONAL BUT ARE PACKED WITH THE ENDEAVOUR OF ORDINARY PEOPLE
PHOTO ESSAY : 365OHMANAWAT
TEXT & PHOTO: ANAWAT PETCHUDOMSINSUK
(For Thai, press here)
The feeling of never accomplishing anything substantial, of giving up what I started after a few days became the beginning of 365ohmanawat. By taking one still life photograph everyday for 365 consecutive days, this project is proof of my commitment to do something with the kind of consistency and determination that I had never done before. With my expertise as a professional photographer, the ideas and techniques incorporated to each image I captured are different from what I normally do.
Having to photograph products and food for advertising purposes, reality is deviated to render perfection. The longer I work, the more tedious it becomes. But that dullness motivates me to try doing something I have never done; to create something that is different from what we would usually see.
Some of the images may induce awkwardness. Some may give an opposite result to what a normal advertisement tends to deliver. But the experimental approach means that there is no limitation to what contents and techniques I could create and use.The photographs in this project are highly diverse, some may even upset people, some are objects and food found in our daily life, while some are the outcomes of my experimentation using techniques I saw in the media but never had a chance to try them out before.
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Anawat Petchudomsinsuk is a freelance food photographer who loves memes and cheekiness.