A LEGENDARY PERFORMANCE ARTIST, MARINA ABRAMOVIC, DOVES DEEP INTO THE INTENSE HISTORY OF HER CAREER IN PERFORMANCE ART WHICH MIGHT PROVIDE A DEEPER UNDERSTANDING OF WHAT PERFORMANCE ART TRULY IS IN HER RECENT LECTURE IN BANGKOK
AN EXHIBITION BY MIT JAI INN WHERE THE COLOR IS EXTENDED INTO THE IDEA OF BUDDHISM, HIS CONNECTION WITH NORTHERN THAI CULTURE, AND THAI POLITICS WHICH ARE STILL TRAPPED IN THE VICIOUS CYCLE
ART SG Co-Founder Magnus Renfrew and Director Shuyin Yang | Photo: Joyce Yung
ART4D TALKS WITH MAGNUS RENFREW, CO-FOUNDER OF ART SG AND SHUYIN YAN, DIRECTOR OF ART SG, TO EXPLORE THEIR VISIONS, THE AIMS OF HOSTING THE INTERNATIONAL ART FAIR IN THE ASIA-PACIFIC REGION, INCLUDING THE CHALLENGES OF ORGANISING A LARGE FAIR AFTER THE EPIDEMIC CRISIS
IT SEEMS LIKE HUMANS ARE COVERTLY PROPELLED BY STORIES WE HAVE BEEN MADE UP OF: GOD, DEMOCRACY, OR CAPITALISM. ARIN RUNGJANG REVISITS FICTION AND POWERS THAT SHAPE HUMAN SOCIETY INTO WHAT IT IS WITH HIS ARTWORKS
HAUNTED SOLO EXHIBITION BY TAWAN WATTUYA UTILIZES DRAMATIC IMAGERY SYMBOLIZING ‘HEAVEN’, THE UTOPIC LAND WITH THE ABSOLUTE RIGHT TO ELIMINATE DISSIDENTS, AND ‘HELL’, THE REALM FULL OF EVIL WHO NEED TO BE EXCOMMUNICATED FROM SOCIETY. THE EXHIBITION DEPICTS THE PROPAGANDA METHOD CARRIED OUT BY THE STATE FROM THE COLD WAR TO NOW
MEET THREE CAPTIVATING ARTWORKS AT THE PRELUDE ONE BANGKOK AND THE PARQ FROM BANGKOK ART BIENNALE 2022, THE FESTIVAL THAT STRIVES TO MAKE BANGKOK AN INTERNATIONAL DESTINATION FOR CONTEMPORARY ART AND CULTURE
AN EXHIBITION FROM NAKROB MOONMANAS WHERE THE ARTIST USES COMPUTATIONAL LINGUISTICS TO ANALYZE ONE OF THE LITERARY MASTERPIECES, TRIBHUMIKATA, AND CREATES A NEW STORY THAT IS FREE FROM THE ORIGINAL AUTHOR AND NARRATIVE’
A LATEST SOLO EXHIBITION BY ADITYA NOVALI, WHICH QUERIES ABOUT THE PERCEPTION OF REALITY AMIDST THE AGE OF DIGITALIZATION AND THE WAYS THINGS ARE IN THE WORLD THROUGH A GEN-X LENS
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TAKE A LOOK AT ART JAKARTA 2022, AN INDONESIA’S ART FAIR THAT WELCOMES VISITORS OF ALL BACKGROUNDS AND SIGNALS THE RECOVERY OF THE ART MARKET
INSTEAD OF DEPENDING ON ESOTERIC OR MEDITATION, TAWATCHAI PUNTUSAWASDI EXPLORES HIS OWN ‘VOID’ VIA MATHEMATICAL OPERATION AND TURNS THE RESULT INTO DRAWINGS AND SCULPTURES
