THE PILOT PROJECT TRANSFORMS AN EXHIBITION SPACE OF TCDC CHIANG MAI INTO A BLACK BOX THEATER FOR PERFORMING ARTS WITH FREE ADMISSION TO GATHER THE DATA AND PROPEL THE CREATIVE ECONOMY FORWARD Read More
BASE BOX THEATRE
Tag: gallery
A MILLION LITTLE ODD THINGS, THE LAST PROMISE, AND ONE BIG PICTURE
AN EXHIBITION DISPLAYS NOPPACHAI UNGKAVATANAPONG’S OBJECTS AND WORKS WHICH REPRESENT HIS MEMORIES TOGETHER WITH A LIFE PARTNER, AND ALSO RAISES INQUIRIES ABOUT GENDER ROLES AND THE FLEA MARKET’S ECONOMIC DYNAMICS Read More
TROPICAL MODERNISM: ARCHITECTURE AND INDEPENDENCE
THE EXHIBITION ‘TROPICAL MODERNISM: ARCHITECTURE AND INDEPENDENCE’ SHOWCASES THE HISTORICAL ROLES OF TROPICAL ARCHITECTURE WHICH WAS ONCE INTEGRATED WITH MODERNISM
Read More
EXPLORE ARTMOMENTS 2024 THE LARGE ART FAIR OF SOUTHEAST ASIA
GET INSIDE ARTMOMENTS JAKARTA 2024, THE IMMENSE ART EXHIBITION OF INDONESIA THAT COLLECTED THE DIVERSE RANGE OF ARTISTS’ WORKS ALIGNED WITH A THEME ‘RENEWAL’
Read More
ARTMOMENTS JAKARTA 2024
READY TO VISIT THE LARGE ART EXHIBITION OF SOUTHEAST ASIA WHICH DISPLAYS ARTWORKS FROM VARIOUS GALLERIES WITH A CONCEPT OF ‘RENEWAL’ Read More
CONCEAL
SUTEE KUNAVICHAYANONT PICKED A FORMED MAP OF THAILAND AS THE ARCHETYPE TO CREATE THE ARTWORKS WHICH DEPICT THE ALTERATION OF THAI POLITICAL HISTORY
WAREHOUSE
AN EXHIBITION THAT BRINGS TO LIGHT THE UNSEEN PROCESS OF THE GALLERY, AND THE RELATIONSHIP BETWEEN UNEXHIBITED ARTWORKS, STAFF ACTIVITIES, AND VISITORS
427 HOUSE
MAINCOURSE CONCEIVES THE HOUSE WITH A GALLERY-LIKE SPACE WHERE THE OWNER’S ART PIECES AND COLLECTIBLES BECOME A PART OF THE BUILDING
CULVERT GUESTHOUSE BY NENDO : A CRITIQUE
KRAIPOL JAYANETRA FROM ALKHEMIST ARCHITECTS EXAMINES EVERY ASPECT OF NENDO’S CULVERT GUESTHOUSE WHICH IS DEFINED AS AN ENLARGED PRODUCT DESIGN TO FIND OUT THE INTENTION BEHIND THE DESIGN
ART SG
ART SG Co-Founder Magnus Renfrew and Director Shuyin Yang | Photo: Joyce Yung
ART4D TALKS WITH MAGNUS RENFREW, CO-FOUNDER OF ART SG AND SHUYIN YAN, DIRECTOR OF ART SG, TO EXPLORE THEIR VISIONS, THE AIMS OF HOSTING THE INTERNATIONAL ART FAIR IN THE ASIA-PACIFIC REGION, INCLUDING THE CHALLENGES OF ORGANISING A LARGE FAIR AFTER THE EPIDEMIC CRISIS