KARJVIT RIRERMVANICH, EDITOR OF ART4D, INQUIRES INTO THE UNIQUE ASPECT OF MIRROR WHICH IS BOTH VISIBLE AND TRANSPARENT, TANGIBLE AND INTANGIBLE, DEFINITE AND ELUSIVE
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Category: MAGAZINE
CAMPAIGN SIGN CONTEST
BESIDES A DISTINCTIVE DESIGN OF CAMPAIGN SIGNS IN THE 2022 BANGKOK GOVERNOR RACE, MOST CANDIDATES ARE ALSO WORKING ON THE SMALLER CAMPAIGN SIGNS TO AVOID PATH BLOCKING. WEE VIRAPORN INVITES US TO CONTEMPLATE A DEEP-ROOTED ISSUE – THE PLACEMENT OF CAMPAIGN SIGNS ON THE PUBLIC PAVEMENT
WOODDEN – ARCHITECT ’22
WOODDEN COOPERATES WITH PHTAA LIVING DESIGN REIMAGINES AND EXPAND THE POTENTIAL OF TEAK WOOD, A MATERIAL WHICH BEEN A PART OF THAI ARCHITECTURE FROM PAST TO PRESENT, THROUGH EXHIBITION BOOTH AT ARCHITECT ’22
ANIL SATHORN 12 / PART 1: LUXURY REDEFINED
ANIL SATHORN 12, A RESIDENTIAL PROJECT WITH THE FIRST WELL BUILDING STANDARD IN THAILAND, FOCUSES ON DWELLER’S WELL-BEING UNDER THE CONCEPT OF ‘LUXURY REDEFINED’, DEFINING THE QUALITY OF LIFE AS A NEW PERCEPTION OF ‘LUXURY’
GOOD CYCLE BUILDING
APART FROM THE DISTINCTIVE OLD LOG FAÇADE, GOOD CYCLE BUILDING FROM ASANUMA CORPORATION AND NORI ARCHITECTS IS OUTSTANDING WITH ITS EXTENSIVE ECO-FRIENDLY DESIGN PROCESS, FROM RESOURCE-EFFICIENT CONSTRUCTION TO THE INGENIOUS APPLICATION OF SOIL AS ARCHITECTURAL ELEMENTS
THE RICE FIELD PROJECT
WIJIT APICHARTKRIENGKRAI RECALLS THE LOST TRADITIONAL RICE FARMING METHOD AND THE BEAUTY OF THE RICE CULTURE IN ’THE RICE FIELD PROJECT’, A PUBLIC ART CREATED IN COLLABORATION WITH LOCAL FARMERS
ENTER PROJECTS ASIA
ART4D SPEAKS TO ENTER PROJECTS ASIA ABOUT THE STUDIO’S DESIGN APPROACH IN THE INTEGRATION OF RATTAN AND MODERN TOOLS AND TECHNOLOGIES, PAVING A NEW WAY OF USING LOCAL MATERIAL IN CONTEMPORARY DESIGN
DÉJÀ VU: WHEN THE SUN RISES IN THE WEST
THE SUN RISES IN THE WEST. BUDDHA HYPOTHETICALLY APPEARS IN THE GRECO-ROMAN WORLD. NATEE UTARIT REVISIONS HUMAN CIVILIZATION AND WISDOM IN DÉJÀ VU: WHEN THE SUN RISES IN THE WEST EXHIBITION, ASKING A CRITICAL QUESTION THROUGH HIS TENS OF WORKS — “WHAT WILL HAPPEN IF ASIA WAS THE CENTER OF THE WORLD’S CIVILIZATION INSTEAD OF THE WESTERN WORLD?”
GLASS IN ARCHITECTURE
KUNGWANSIRI TEJAVANIJA FROM PBM DESIGN STUDIO ILLUSTRATES TO US A STORY OF ‘GLASS’, WHICH IS MORE THAN A TRANSPARENT MATERIAL BUT AN INCREDIBLE INVENTION THAT CAN POTENTIALLY DEMOLISH EVERY CONSTRAINT IN DESIGN, AND ENABLE WHAT WE HAVE ENVISIONED FOR THE FUTURE OF ARCHITECTURE TO COME INTO BEING
SLABTITUDE
VASU VIRAJSILP, THE FOUNDER OF THE ARCHITECTURE STUDIO VASLAB, EXPRESSES HIS SIGNATURE AND UNIQUE DESIGN IN ‘SLABTITUDE’, A NEW-COMING CAFÉ CHARACTERIZED BY DYNAMIC FORMS, THE COMBINATION OF CONCRETE AND WOOD, AND A DISTINCTIVE LONG WOODEN TABLE IN THE CENTER WHICH IS AS IF IT WERE MIRACULOUSLY FLOATING ON AIR