MONNING
Tag: graphic design
SUBPER GRAPHIC
A GRAPHIC DESIGNER COMPANY LOCATED IN THE OLD TOWN OF PATTANI THAT WAS FORMED BY A GROUP OF GRAPHIC DESIGNERS IN THE AREA TO ENHANCE THE RECOGNITION OF THIS PROFESSION IN THE THREE SOUTHERN BORDER PROVINCES
PAT YINGCHAROEN: COLLECTIVE CONVALESCENCE
‘COLLECTIVE CONVALESCENCE’ COLLECTS THE PAINTINGS OF PAT YINGCHAROEN WHO BROUGHT HIS WORKS TO BE REDEFINED BY MERGING WITH SOME PHOTOS FOR READERS’ PONDERING THE REALITIES OF HISTORICAL EVENTS
O.OO STUDIO
ART4D HAD A CONVERSATION WITH PIP LU FROM O.OO STUDIO IN TAIWAN ABOUT THE CURRENT SITUATION OF PRINTS IN TAIWAN AND HER PASSION FOR RISOGRAPH WHICH HAS GAINED WORLDWIDE POPULARITY IN THE DESIGN COMMUNITY
HISTORY OF THAI TYPE
DELVE INTO THE HISTORY OF FONTS AND TYPOGRAPHY IN THAILAND IN A BOOK BY PRACHA SUVEERANONT PRESENTING THE INTRICATE RELATIONSHIP BETWEEN TYPOGRAPHY AND THE SHIFTS IN THAILAND’S SOCIAL LANDSCAPE
ACCIDENTALLY WES ANDERSON
WALLY AND AMANDA KAVAL’S PROJECT STARTS FROM AN INSTAGRAM ACCOUNT CAPTURING LOCATIONS REMINISCENT OF SCENES FROM WES ANDERSON MOVIES AND HAS EVOLVED INTO A PHOTO BOOK DOCUMENTING THOSE PLACES’ STUNNING AMBIANCE AND HISTORY
MODES AND CHARACTERS: POETICS OF GRAPHIC DESIGN
VISIT THE EXHIBITION ABOUT ‘MOJI-IMAGE-GRAPHIC’ AT 21_21 DESIGN SIGHT IN JAPAN WHICH GATHERS A DIVERSE COLLECTION OF CONTEMPORARY GRAPHIC DESIGN WORKS FROM THE 1980S TO EARLY 2000S
JENTWO
JENTWO IS AN ILLUSTRATOR NOTABLE FOR HER VIBRANT STYLE. SHE ALWAYS COMES WITH A SENSE OF FLEXIBILITY AND TRIES OUT DIFFERENT APPROACHES, BRANCHING OUT TO NEW POSSIBILITIES
THIS IS MY VOICE ONE DAY IN THAILAND
TEXT & IMAGE: PIRUTCH MOMEEPHET
(For Thai, press here)
This series of works arose from an idea and curiosity about the excitement one feels while traveling to a different country, a province, or even a new location. It tends to be difficult to pinpoint the precise reason for the pleasure or exhilarating feeling that people have when they visit different places. It’s presumably how all these new experiences we have all at once combine into a certain “mood” or “vibe.” There are times when one doesn’t even question whether such excitement stems from experiencing something truly new or whether it’s their own perception that makes something feel new despite the fact that it may not be.
If we are able to observe things from such a mentality or perspective, perhaps the things or locations that impress us do not have to be iconic or anything suggested or validated by others. It could be anyplace. It might be a location we walk past every morning or a building we see on the side of the road while stuck in traffic.
This work is an imagination of a person’s first impressions of Thailand. If we can see these sites from this point of view, then the question is, what is it that actually excites us?
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Pirutch Momeephet : BBep.o (bep – po) is a Graphic Designer based in Bangkok, Thailand, who is Interested in Retro, Citypop Art Style and Contemporary architecture.
THE ALPHABETICAL ROOM
TEXT: LIAD SHADMI
PHOTO: LIAD SHADMI & MICHAEL KOHLS
(For Thai, press here)
The project ‘The Alphabetical Room’ is a systematic exploration of the boundaries and limits of writing within a strictly calculated mathematical three-dimensional grid within a flat digital space. Engaging with the three-dimensional grid in a two-dimensional digital space has always been an intriguing matter for graphic designers, programmers, creative coders, and visual artists.
Starting from Josef-Müller Brockmann’s grid proposal for the design of interior spaces in 1961, the perspective of the viewer changes throughout the pages of the leaflet as does the resolution of the three-dimensional grids in which the hypothetical letterforms are displayed.
Also, I would like to thank Prof. Pierre Pané-Farré for guiding this project.
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Liad Shadmi is a freelance Graphic Designer and Art Director based in Hamburg. He graduated with honors from Shenkar College of Engineering & Design, one of the leading design schools in Israel. Liad specializes in Graphic Design, Brand Identity, Art Direction, Type Design, Print & Layout, and Web Design, with a strong emphasis on Typography in his work. He is passionate about researching design, particularly vernacular design, and believes that design should be rooted in deep and meaningful research. Liad strives to combine heritage and classic attributes with contemporary virtues.