Tag: moment

PHOTO ESSAY : SOMETHING STILL REMAINS


TEXT: THAN DEESAMER
PHOTO: WEERAPON SINGNOI

(For Thai, press here) 

Designed by Amorn Sriwong, a prominent figure in the Thai modern architecture movement, Ang Kaew Dormitory is one of the earliest buildings at Chiang Mai University. Today, the building may soon become a memory. After Chiang Mai University put its demolition plans on hold, the future of the more-than-60-year-old building remains uncertain, amid ongoing debates over its architectural and historical significance, as well as the memories embedded within the place. 

What makes Ang Kaew Dormitory significant lies not only in its modernist form solely, but in the way the building was designed to ‘work’ with its surroundings. Open spaces allow air to flow through the building, louvered panels filter sunlight, while the structural system becomes an integral part of the architecture itself. These details reflect an approach in which beauty emerges from function and context, rather than from ornamentation. 

The photographic series ‘Something Still Remains’ invites us to look at Ang Kaew Dormitory through its building masses, voids, light and shadow, and traces of everyday use. It is an attempt to document a piece of architecture at a moment of transition for sometimes, photographing an old building is also a way of preserving evidence of something that may no longer exist in the future.

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Beer Singnoi (Weerapon Singnoi) is a Thai architectural photographer whose work spans both commercial architecture and residential projects. His photographs are distinguished by the use of natural light, color, and spatial composition to convey the atmosphere of each building. He is also the founder of Foto_momo, a personal project that documents and archives modern architecture through photography, creating a visual database for those interested in the field. This long standing interest in architectural documentation is reflected in his photographs of Ang Kaew Dormitory, captured on September 3, 2026.

foto-momo.com
facebook.com/fotomomo.project

KSANA CENTRAL PARK BANGKOK

KSANA CENTRAL PARK BANGKOK EXTENDS THE SURREAL MINIMALIST DESIGN LANGUAGE THROUGH THE CONCEPT OF ‘ESCAPE FROM CHAOS,’ CREATING A SPACE OF TRANQUILITY IN THE HEART OF THE CITY, BY JUTI ARCHITECTS

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PHOTO ESSAY : COINCIDENCES IN THE STREET

  • Blue Umbrellas


TEXT & PHOTO: KANTAYA NEW

(For Thai, press here) 

This photo essay collects unplanned street moments where timing, color and gesture align by chance. 

On streets I know well, I look for visual connections between people and their surroundings: someone walking or pausing in front of a mural or poster, a passer-by echoing an image on a wall, or a person whose movement suddenly fits the background. 

I am drawn to scenes that make me laugh, pause, or stop and wonder, “Did that really happen?” The photographs invite a second look at ordinary places and how coincidences can change the way we see the street.

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Kantaya New is a Thai–Singaporean street and conceptual photographer based in Singapore. Her street work focuses on playful visual coincidences in public space. 

Her work has been exhibited internationally and has received recognition in competitions such as Sony Alpha: MX Street Photo Contest (1st Prize, 2025), Women Street Photographers Artist Residency (Shortlisted, 2025), Fujifilm Moment Street Photo Awards (2nd Prize, 2024), LensCulture Critics’ Choice (Winner, 2023) and Sony World Photography Awards (Shortlist, 2022 – Open Competition and Alpha Female Awards).

kantayanew.com
instagram.com/kantaya_new
instagram.com/kantaya_new_art

PHOTO ESSAY : LAYERS OF THE CITY


TEXT & PHOTO: PUTTIPONG NIPATUTIT

(For Thai, press here) 

This series was created through in-camera multiple exposure, a technique that lets me view the city from an angle that feels unfamiliar. The intention was never to drift into fantasy. Rather, it is to suggest that urban life contains more strata than what we usually allow ourselves to see: roads cutting across towers, strangers passing one another, and the interplay of light, color, and sound that unfolds all at once, without choreography. 

By layering these moments into a single frame, the technique becomes a way of recording both the city’s daily commotion and the small, almost imperceptible rhythms of order that sit quietly beneath it. 

What I hope for is simple: that the familiar city might be seen again, but felt differently. 

All photographs in this series were taken using the multiple-exposure function, with no digital retouching. I began exploring film-based multiple exposure in 2020, long before realizing that many digital cameras offered the same capability. That discovery eventually led me to experiment across both formats, and I continue to work with film and digital today.

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Puttipong Nipatutit (Amp), a passionate photographer and owner of a small digital print studio.

facebook.com/amp.puttipong
instagram.com/amp_puttipong

PHOTO ESSAY : CATS IN THE AIR


TEXT & PHOTO: PUTTIPONG NIPATUTIT

(For Thai, press here) 

“Whenever I walk past small corners of the city, I often see cats leaping with natural ease. Without preparation, without ritual, these brief moments capture a sense of simple living. Such glimpses become like quiet notes, reminding us that certain beauty is always hidden in the little things around us.”

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Puttipong Nipatutit (Amp) A passionate photographer and owner of a small digital print studio.

facebook.com/amp.puttipong
instagram.com/amp_puttipong