Tag: people

DIB BANGKOK

Photo: W Workspace, Courtesy of Dib Bangkok

DIB BANGKOK, BANGKOK’S FIRST INTERNATIONAL CONTEMPORARY ART MUSEUM, IS A DESIGN BY KULAPAT YANTRASAST OF WHY ARCHITECTURE IN COLLABORATION WITH A49. THE DESIGN CONCEPT USES ARCHITECTURE AS A MEDIUM TO CONNECT PEOPLE WITH CONTEMPORARY ART THROUGH SPATIAL DESIGN AND SENSORY EXPERIENCES

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HAPPITAT: A LIVING LANDSCAPE: WHERE PLANTS BECOME PART OF THE STORY

HAPPITAT DEMONSTRATES THE POTENTIAL OF LANDSCAPE ARCHITECTURE TO BE MORE THAN JUST GREEN SPACES, BUT A KEY MECHANISM IN CREATING A RELATIONSHIP BETWEEN THE CITY, NATURE, AND PEOPLE, BY TK STUDIO

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STEFFEN LARBIG

EXPLORE THE ROLE OF LIGHT + BUILDING IN A WORLD WHERE SUSTAINABILITY, ELECTRIFICATION AND INTELLIGENT INFRASTRUCTURE ARE KEY DRIVERS OF THE GLOBAL BUILDING AND LIGHTING INDUSTRY, THROUGH AN INTERVIEW WITH STEFFEN LARBIG

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PHOTO ESSAY : WHITHER RIVERS FLOW


TEXT & PHOTO: XIMENG TU

(For English, press here

As an architectural photographer, the sound of my shutter serves as a way for searching for the city’s textures, which have been increasingly drowned out by the noise of superficial culture. I grew up with the echo of ferry whistles and the soot-laden air along the banks of the Jialing River, in a factory zone built during China’s Third Front Movement. These memories became the roots that later sharpened my sense of difference when I later moved north. When I eventually returned to Chongqing, at a time when the city had been reduced to a mere ‘backdrop’ for tourists, a feeling of estrangement set in. This sense of dislocation led me to realize that the camera lens must function as a bridge across time, not merely as a device for recording images. 

Under the pressure of capitalism, which compresses cities into commercial symbols, I came to see Chongqing as a living architecture: a vessel that holds human relationships and interactions. Over the past three years, I have employed photography as a form of ethnographic fieldwork, seeking out forms of ‘quiet resistance’ of ordinary people in overlooked alleys and forgotten corners. These traces of life are placed in dialogue with an almost surreal modernity. 

The title Whither Rivers Flow reflects my belief that urban imagery should be like the river itself, carrying the weight of history while reflecting the spectrum of human existence at once. In the end, people, like currents, come and go, leaving stories behind and taking new ones with them, forever flowing between the mountains and the water.

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Ximeng Tu (屠栖蒙) is an architectural photographer from Chongqing, People’s Republic of China. His work explores architecture, everyday life, and nature along the city’s two rivers, documenting the relationships and interactions between these elements through the traces of urban and local development.

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PEOPLE PLACE POIESIS

‘PEOPLE PLACE POIESIS’ IS AN EXHIBITION FEATURING WORKS BY MARINA TABASSUM THAT EXPLORES THE ROLE OF ARCHITECTURE AMIDST ENVIRONMENTAL AND SOCIAL CRISES IN BANGLADESH

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PHOTO ESSAY : SAME PLACE, SAME TIME


TEXT & PHOTO: KANTAWEE JINTANON

(For English, press here

“If you can photograph street life in the same place continuously for one year, you will be able to photograph anywhere in the world,” they say. At first, I did not quite understand what this meant. That changed after I spent a year photographing Lumpini Park every morning after finishing my workout. Only then did the meaning of that sentence begin to reveal itself.

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Kantawee Jintanon is an office worker and software tester with a deep passion for photography. He approaches each image with a deliberate sense of creativity, seeking to make every photograph distinct, regardless of where it is taken.

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instagram.com/kantawee_street_snap

PHOTO ESSAY : COINCIDENCES IN THE STREET

  • Blue Umbrellas


TEXT & PHOTO: KANTAYA NEW

(For Thai, press here

This photo essay collects unplanned street moments where timing, color and gesture align by chance. 

On streets I know well, I look for visual connections between people and their surroundings: someone walking or pausing in front of a mural or poster, a passer-by echoing an image on a wall, or a person whose movement suddenly fits the background. 

I am drawn to scenes that make me laugh, pause, or stop and wonder, “Did that really happen?” The photographs invite a second look at ordinary places and how coincidences can change the way we see the street.

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Kantaya New is a Thai–Singaporean street and conceptual photographer based in Singapore. Her street work focuses on playful visual coincidences in public space. 

Her work has been exhibited internationally and has received recognition in competitions such as Sony Alpha: MX Street Photo Contest (1st Prize, 2025), Women Street Photographers Artist Residency (Shortlisted, 2025), Fujifilm Moment Street Photo Awards (2nd Prize, 2024), LensCulture Critics’ Choice (Winner, 2023) and Sony World Photography Awards (Shortlist, 2022 – Open Competition and Alpha Female Awards).

kantayanew.com
instagram.com/kantaya_new
instagram.com/kantaya_new_art