Tag: RHYTHM

FORM + FIELD


TEXT & PHOTO: ANTON REPPONEN

(For Thai, press here)

Form + Field is driven by a simple core concept: two frames, one sentence. The project pairs photographs of ordinary, system-built spaces from different cities and years that complete each other when viewed together. Despite the varied locations and timeframes, these environments often follow the same rule set: color that instructs, geometry that organizes, and hardware that keeps things running. While most people pass by these everyday details, the focus here is to stop for the unintentional compositions and bring them into conversation with one another through visual rhythm and a single connecting phrase.

Originally published on formfield.repponen.com, this photographic series was also brought to life as a self-made, hand-assembled ring binder book that mirrors the project’s concept by piecing separate physical components together until they form a cohesive whole.

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Anton Repponen is a New York-based interaction designer who co-leads the acclaimed ‘Anton & Irene’ design studio. Their diverse clientele includes renowned cultural institutions such as M+ Museum in Hong Kong and The Met Museum in New York, technological giants like Spotify, Netflix, and Google among many others. His design approach seamlessly blends architectural influences with interactive design expertise, reflecting his background in architecture and a human-centered design ethos.

repponen.com
instagram.com/repponen 

SERPENTINE PAVILION 2026

A CENTURIES-OLD TECHNIQUE FOR DODGING BRITAIN’S BRICK TAX BECOMES THE STRUCTURAL AND CONCEPTUAL BACKBONE OF LANZA ATELIER’S CURVING BRICK SERPENTINE PAVILION 2026—AN OBSERVATION ON HOW NECESSITY, MYTHOLOGY, AND MATERIAL MEMORY CAN STILL SHAPE THE WAY WE BUILD Read More

THEMATIC PAVILION: BRT INTERTECH X CONTEXT STUDIO

EXPLORE THE CALM, SMOOTH, AND FLOWING PAVILION OF BRT INTERTECH AND CONTEXT STUDIO, WHERE ARCHITECTURE IS RELATED TO THE RHYTHM OF HUMAN BREATHING UNDER THE CONCEPT OF A ‘PRANASATHAN,’ AT ARCHITECT’26 Read More

PHOTO ESSAY : SAME PLACE, SAME TIME


TEXT & PHOTO: KANTAWEE JINTANON

(For English, press here) 

“If you can photograph street life in the same place continuously for one year, you will be able to photograph anywhere in the world,” they say. At first, I did not quite understand what this meant. That changed after I spent a year photographing Lumpini Park every morning after finishing my workout. Only then did the meaning of that sentence begin to reveal itself.

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Kantawee Jintanon is an office worker and software tester with a deep passion for photography. He approaches each image with a deliberate sense of creativity, seeking to make every photograph distinct, regardless of where it is taken.

facebook.com/arm.kantawee
instagram.com/kantawee_street_snap

MUXIANG NINGHUA FLOORING EXPERIENCE HALL

WOOD, LIGHT, AND THE RHYTHM OF TIME — THE MUXIANG NINGHUA FLOORING EXPERIENCE HALL IN HUZHOU, CHINA, INVITES VISITORS TO EXPLORE WOOD THROUGH A SEMI-CIRCULAR SHOWROOM

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PHOTO ESSAY : LAYERS OF THE CITY


TEXT & PHOTO: PUTTIPONG NIPATUTIT

(For Thai, press here) 

This series was created through in-camera multiple exposure, a technique that lets me view the city from an angle that feels unfamiliar. The intention was never to drift into fantasy. Rather, it is to suggest that urban life contains more strata than what we usually allow ourselves to see: roads cutting across towers, strangers passing one another, and the interplay of light, color, and sound that unfolds all at once, without choreography. 

By layering these moments into a single frame, the technique becomes a way of recording both the city’s daily commotion and the small, almost imperceptible rhythms of order that sit quietly beneath it. 

What I hope for is simple: that the familiar city might be seen again, but felt differently. 

All photographs in this series were taken using the multiple-exposure function, with no digital retouching. I began exploring film-based multiple exposure in 2020, long before realizing that many digital cameras offered the same capability. That discovery eventually led me to experiment across both formats, and I continue to work with film and digital today.

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Puttipong Nipatutit (Amp), a passionate photographer and owner of a small digital print studio.

facebook.com/amp.puttipong
instagram.com/amp_puttipong