FOR EILKHANI AND NABIAN, RE-THINKING THE TYPOLOGY OF THE CITY’S TYPICAL ARCHITECTURE IS THEIR QUEST THAT HAS LED TO THE OPTIMIZATION OF SPACE AND EXPERIENCE
[SHIFT] PROCESS PRACTICE
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SUNSHOWER
SUNSHOWER: CONTEMPORARY ART FROM SOUTHEAST ASIA 1980S TO NOW
KA:V EDITIONS
IT’S HARD TO DEFINE KA:V EDITIONS, BUT WE’RE SURE THE IRANIAN ART SCENE, OR ANYWHERE ELSE, NEEDS MORE PEOPLE LIKE THEM
GETTING TO KNOW THE NEW IRAN THROUGH ITS CHILDREN
TO REALLY SEE THE BIG PICTURE, WE MAY HAVE TO RETRACE THE ROUTE OF THE FIRST WAVE OF IRANIAN CINEMA THAT FOUND ITS WAY INTO THE WORLD’S CINEMATIC MAP BACK IN THE 90S THROUGH ITS MOST SIGNIFICANT CHARACTERS — CHILDREN.
DUBAI FONT
CERTAINLY WHEN A CITY NEEDS BRANDING TO CREATE A MEMORABLE IDENTITY, HAVING ITS OWN FONT COULD BE ONE OF THE TOOLS NEEDED TO ACHIEVE THE TASK.
ALI BAKHTIARI
COMBINING HIS PASSIONS FOR BOOKS AND ART TOGETHER, THE OUTCOME IS A PUBLISHING HOUSE THAT FOCUSES ON COLLABORATION BETWEEN ARTIST AND PUBLISHER
MUJI HUT
“IN THE MOUNTAINS, NEAR THE OCEAN, OR IN A GARDEN, AND IT IMMEDIATELY BLENDS IN WITH THE SURROUNDINGS, INVITING YOU TO A WHOLE NEW LIFE.”
CAAT STUDIO
IF WE WERE TO NAME ANY ARCHITECTS WHO ALWAYS GIVE THOUGHT TO PEOPLE AND THEIR BUILDINGS FIRST, THIS IRANIAN ARCHITECTURE FIRM, CAAT STUDIO WOULD UNDOUBTEDLY STAND OUT FROM THE LINEUP
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MEMAR
AN IRANIAN BIMONTHLY ON ARCHITECTURE AND URBAN DESIGN
TEHRAN TODAY
art4d SPECIAL ISSUE ‘TEHRAN TODAY’ FEATURES INTERVIEWS WITH ARCHITECTS, GRAPHIC DESIGNERS, ARTISTS, A CURATOR, A CULTURAL MANAGER AND CREATORS OF THE COUNTRY’S LEADING BOOKS AND MAGAZINES WHO ARE WORKING IN TEHRAN. IN OUR EYE-OPENING CONVERSATIONS, WE TALKED WITH THEM ABOUT THEIR VIEWS ON THE CHANGES HAPPENING TO THE CAPITAL CITY AND THE LIVING OF A PARALLEL LIFE IN THE PLACE THEY CALL HOME.