All posts by Ketsiree Wongwan

PHOTO ESSAY : SALT FIELDS

TEXT & PHOTO: WAN CHANTAVILASVONG

(For Thai, press here

The tranquil silence of the mouth of a river and a pale monsoon sky highlights the shacks, the barns, and the fences of salt fields against the monotonous background. The silence and absence of people may be signifying that the area is heading towards decline, where salt farming may be becoming a part of past that has faded away from people’s everyday lives.

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Wan Chantavilasvong is a city planner and a researcher, who cherishes photography as her serious play. Her photography often portrays the similarities and differences between the environments and people’s lives in different parts of the world.

wanc.space 
facebook.com/wan.chtvlv
instagram.com/wan.chtvlv

ADULAYA HOONTRAKUL

WITH ART4D’S INVITATION, VICHAYA MUKDAMANEE, DEAN OF SILPAKORN UNIVERSITY’S FACULTY OF PAINTING, SCULPTURE, AND PRINTMAKING, SPEAKS THE NEW DIRECTOR OF BANGKOK ART AND CULTURE CENTRE (BACC), ABOUT THE BACC UPCOMING GOAL UNDER THE INFLUENCE OF THE NEW GENERATION, FUTURE OF CONTEMPORARY ART IN THAILAND, AND THE ROLE OF ART SPACE AS A PUBLIC AREAS OF MANY IDEOLOGIES.

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PHOTO ESSAY : FADE #01

TEXT & PHOTO: THANNOP AUTTAPUMSUWAN

(For Thai, press here)  

What can be seen clearly may not always be understood emotionally.

Ascend, exist, perish… 
Objects, places, and spirits… time is always passing, and we can’t really tell how long things can last. Unknowingly, things may be fading away at any moment. But everything we have come across has something we can experience differently as an individual through the way we see, interact and touch. From what one particular thing is or could be at a particular time, to the process of self-reflection that occurs along the way, things seem to change or fade away in ones memories.

There are certain things that people experience collectively, which can also be varied by the difference in time at which the experience unfolds. The artist uses black and white film photographs and photography techniques, including darkroom processes, to convey viewers’ perspectives and to reveal discernible, tactile meanings of how things emerge, sustain, and cease to exist. The process is reliant on each viewer’s personal anecdotes, helping them express the stories of their interactions with the photographs.

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Thannop Auttapumsuwan graduated from Silpakorn University’s Faculty of Architecture. He is currently working as an architectural photographer and exploring personal projects with black and white film cameras and darkroom processes.

facebook.com/gapjaa 
instagram.com/whydoyoulovefilm

 

PHOTO ESSAY : WHEN I WAKE UP, I WILL DREAM OF BEING A CHILD AGAIN

TEXT & PHOTO: RATTHEE PHAISANCHOTSIRI

(For Thai, press here)  

This series of photographs was taken between 2010 and 2011 when I was living in Japan as a fresh graduate. Like many students of product design at the time, Japan was a dream destination for many to pursue their education. It was a time when the Minimalist movement was flourishing.

But the transition from adolescence to working age—the period we call “coming of age”—turned out to be a lot more complicated than I had imagined. It wasn’t easy to strike a balance between reality and fantasy, between being realistic and prejudice-free. My own coming of age was filled with too many questions. Circulating in my mind were thoughts about life and death, as my body grew weaker by the day. How could I endure this feeling when the time has come for me to start living my life in the way that society has already determined?

It has been over twelve years and the childhood dreams I once had are no longer lucid like they used to be. Looking back to those memories in an attempt to compare them to the present Im living in, in days when my age has progressed closer to the people in these pictures I took, in the time when technology has made all of our lives more convenient, but how we are living as human beings doesnt seem that different from those days in the past. We are still struggling with the happiness we find ourselves with each passing day.

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Ratthee Phaisanchotsiri is an industrial designer and one of the members of the Issaraphap Collective who splits his time between Chiang Mai and Bangkok.

rattheephaisanchotsiri.com
instagram.com/rattheephaisanchotsiri

PHOTO ESSAY : LATE WINTER RAIN

TEXT & PHOTO: CHANAPONG SRIWEERAPONG

(For Thai, press here)

A walk up to the summit of Phu Kradueng Mountain is a tough one and demands quite a lot of patience and strength. But whats waiting at the destination makes everything worth the effort. There, nature changes through seasons, and each season has its own unique beauty. 

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Chanapong Sriweerapong works as a video editor and photographer at interior design form, DUDE DECORATE. He loves art and nature. 

instagram.com/best.sri6