WHEN THE PRESIDENT OF THE UNITED STATES USE ARCHITECTURE AS A TOOL TO DEFINE THE IMAGE AND IDEOLOGY OF THE NATION UNDER THE SIGNING OF THE ORDER ‘MAKE FEDERAL ARCHITECTURE BEAUTIFUL AGAIN’
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CONSTELLATION OF COMPLICITY, AN EXHIBITION CONNECTING THE VOICES OF DISPLACED AND ANTI-AUTHORITARIAN VOICES FROM AROUND THE WORLD TO THE HEART OF BANGKOK
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BREAKING CHAINS, CLAIMING FREEDOM: AS THE STATE TURNS WORDS INTO SILENCE, HTEIN LIN’S EK KHA YA SPELLS THEM ANEW
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AS THE PAST NEVER FADES AND THE FUTURE REMAINS UNCERTAIN, THASNAI USES ART TO QUESTION THE LINGERING AUTHORITARIANISM OF POST-WAR TIMES IN THE EXHIBITION ‘TOXIC REMAINS: PARASITES OF A BETRAYED DREAM’
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