PLASTICIZING THE WORLD II
AMIDST THE TIME WHEN PLASTIC TECHNOLOGY WAS WAITING FOR THE MOMENT TO KNOCK ON THE DOOR OF PEOPLE’S HOUSE. STAYING BETWEEN THE REALITY AND THE ILLUSION, THE IMAGE OF SMITHSON’S HOUSE OF THE FUTURE IS GRADUALLY TRANSFORMED FROM THE IMAGERY OF PEOPLE LIVING IN A PLASTIC HOUSE – IN WHICH IS FULL OF LIGHTWEIGHT BELONGINGS WITH A SMOOTH SURFACE WAXY TO TOUCH – INTO THE REALITY.
IMAGINARY OBJECTS
AS THEIR STUDIO’S NAME SUGGEST, WHAT IMAGINARY OBJECTS (IO), THE ARCHITECTURAL STUDIO LED BY YARINDA BUNNAG AND ROBERTO REQUEJO BELETTE, EMPHASIZES IS THE BALANCE BETWEEN THE IMAGINARY AND PRAGMATIC ASPECT OF ARCHITECTURE
LETTERS: MARIKO TERADA
BACK IN 1995, THE EDITORIAL TEAM OF JAPAN’S ARCHITECTURE MAGAZINE, SD (SPACE DESIGN) CAME TO VISIT THAILAND IN HOPE OF FINDING ANOTHER MORE CONTEMPORARY NOTION OF ‘THAI STYLE’ THAT WAS BEYOND THE IMAGES OF THAINESS THE FOREIGNERS ONCE PERCEIVED FROM WILLAIM WARREN’S ‘THAI STYLE’ PUBLISHED IN 1990. LET’S FIND OUT WHAT MARIKO TERADA, AN ASSOCIATE EDITOR OF SD, CAME ACROSS 24 YEARS AGO AND HOW IT CAN REFLECT UPON THE THAI STYLE WE ALL HAVE AT PRESENT









