TETSUO KONDO INTERPRETED A BASIC QUESTION – HOW ARCHITECTURE CAN CONNECT TO PEOPLE? – INTO A STRUCTURE THAT MERGES THE ORGANIZATIONS OF ATMOSPHERE AND PEOPLE TOGETHER
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STANDING IN THE MIDDLE OF PHETCHABURI PROVINCE’S KAENG KRACHAN DISTRICT’S RICH NATURAL SURROUNDING OF FOREST AND FLORA IS ‘KAENG KRACHAN LIBRARY’ THAT HAS JUNSEKINO ARCHITECT AND DESIGN OVERSEEING THE ARCHITECTURAL DESIGN
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AS A PART OF ‘ARTISTIC LICENSE: SIX TAKES ON THE GUGGENHEIM COLLECTION,’ THE FIRST ARTIST-CURATED EXHIBITION AT THE SOLOMON R. GUGGENHEIM MUSEUM, ‘NON-BRAND (非品牌)’ CURATED BY CHINESE ARTIST CAI GUO-QIANG PROVIDES MUSEUMGOERS A CHANCE TO PERCEIVE THE ARTS WITHOUT ANY DISTRACTION FROM WORDS
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THE LATEST FILM BY BONG JOON-HO LIVES UP TO THE HYPE. A HYBRID OF A DRAMA AROUND SOCIAL INEQUALITY TAKES THE AUDIENCE THROUGH ITS COMPLICATED DIMENSIONAL NARRATIVE
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THIS LATEST EDITION FROM THE WHITECHAPEL’S DOCUMENTS OF CONTEMPORARY ART WILL TAKE US INTO THE VARIETY OF SEMINAL DISCOURSES AROUND ‘CRAFT’
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UNDER THE CONSTRAINT FROM LIMITED SPACE, ASWA (ARCHITECTURAL STUDIO OF WORK – AHOLIC) HAS TURNED A 100-SQUARE-METER PARKING LOT IN SOI AREE INTO THE COMPACT YET FUNCTIONAL OFFICE WITH A SMALL COURTYARD THAT BRINGS NATURAL LIGHT AND VITALITY INTO THIS BLACK BOX ARCHITECTURE
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THE EPILOGUE OF THE STUDY OF FRONT PALACE (WANG NA) WHERE CURATORIAL TEAM LED BY NATHALIE BOUTIN, SIRIKITIYA JENSEN AND MARY PANSANGA UTILISES THE ISSARA WINITCHAI THRONE HALL, NATIONAL MUSEUM, AS A CONTEMPORARY ART SPACE
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BOOST YOUR ENERGY AND GET READY TO SWEAT YOUR BODY OUT AT THIS FITNESS COMPLEX
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IN THIS BOOK, ERIC R. KANDEL SEEKS TO HIGHLIGHT THE WAY TO BRIDGE THE APPARENT DISTANCE BETWEEN THE TWO DISCIPLINES, “ART” AND “SCIENCE”
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WHY ARE HAND, CHANG (CRAFTSMAN IN THAI), AND THE WORD ‘MAKE’ SO IMPORTANT TO THE DESIGN PROCESS OF STUDIOMAKE? LET’S FIND OUT IN THIS CONVERSATION WITH ITS CO-FOUNDER
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