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PEOPLE PEOPLE
TEXT & IMAGE: NATTAPOL ROJJANARATTANANGKOOL
(For Thai, press here)
moooom began not as a project, but as a pause. During a stretch of time off, I felt the urge to make something for myself. I experimented with whatever was close at hand, moving through small trials and fragments of ideas. Eventually, I arrived at scraps of paper I had cut away. I began to wonder why these fragments held my attention, so I kept cutting, without any predetermined pattern, gradually discovering forms that felt unexpectedly compelling. The process stirred vague memories of childhood; shapes once drawn absentmindedly, figures assembled without knowing why. The more I looked, the more absorbed I became, until the questions surfaced: ‘What is this?’ or perhaps, ‘What is it not?’ From that ongoing inquiry emerged a series of works that have continues to evolve under the name moooom.
In the ‘people people’ series, I approached the process from the opposite direction, testing the possibilities of shape and form through the human body, where gestures and postures are distilled into geometric structures and abstract configurations.
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Nattapol Rojjanarattanangkool is a designer interested in exploring meaning through objects, sound, and the everyday environment, reinterpreting and reassembling them as tools for communication.
nattapol-rojj.info
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PHOTO ESSAY : WHITHER RIVERS FLOW
TEXT & PHOTO: XIMENG TU
(For English, press here)
As an architectural photographer, the sound of my shutter serves as a way for searching for the city’s textures, which have been increasingly drowned out by the noise of superficial culture. I grew up with the echo of ferry whistles and the soot-laden air along the banks of the Jialing River, in a factory zone built during China’s Third Front Movement. These memories became the roots that later sharpened my sense of difference when I later moved north. When I eventually returned to Chongqing, at a time when the city had been reduced to a mere ‘backdrop’ for tourists, a feeling of estrangement set in. This sense of dislocation led me to realize that the camera lens must function as a bridge across time, not merely as a device for recording images.
Under the pressure of capitalism, which compresses cities into commercial symbols, I came to see Chongqing as a living architecture: a vessel that holds human relationships and interactions. Over the past three years, I have employed photography as a form of ethnographic fieldwork, seeking out forms of ‘quiet resistance’ of ordinary people in overlooked alleys and forgotten corners. These traces of life are placed in dialogue with an almost surreal modernity.
The title Whither Rivers Flow reflects my belief that urban imagery should be like the river itself, carrying the weight of history while reflecting the spectrum of human existence at once. In the end, people, like currents, come and go, leaving stories behind and taking new ones with them, forever flowing between the mountains and the water.
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Ximeng Tu (屠栖蒙) is an architectural photographer from Chongqing, People’s Republic of China. His work explores architecture, everyday life, and nature along the city’s two rivers, documenting the relationships and interactions between these elements through the traces of urban and local development.




















































