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VELA BY PODIUM
GET TO KNOW VELA BY PODIUM — A FURNITURE SET THAT BEGAN WITH A FAMILY HOME AND EVOLVED INTO ACCESSIBLE, FUNCTIONAL PIECES FOR EVERYDAY LIVING, DEVELOPED BY DOTS DESIGN STUDIO AND PODIUM
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GILE 2026
GILE 2026 INTRODUCES THE ‘CHINA LIGHTING CAPITAL HALL’ TO PRESENT GUZHEN AS THE GLOBAL STAGE’S NEW DESTINATION FOR LIGHTING DESIGN
HEMP CHAIR
UTILIZING TENSION RATHER THAN NAILS OR BOLTS, VERONICA OLARIU’S HEMP CHAIR ACHIEVES STABILITY THROUGH THE BALANCE OF ROPE, PIVOT, AND A PLANT-BASED COMPOSITE OF HEMP FABRIC AND PINEAPPLE-LEAF FIBRE
CENTRAL PARK BANGKOK

Photo courtesy of Central Pattana
DISCOVER A NEW STORY OF THE CITY THROUGH CENTRAL PARK BANGKOK, PART OF DUSIT CENTRAL PARK – A DESTINATION DESIGNED TO ENRICH EVERYDAY LIFE WITHIN THE STORIED SILOM – SATHORN DISTRICT Read More
BIOPHILIA UNLOCK
BIOPHILIA IS MORE THAN AN AESTHETIC TREND OR A STRESS-RELIEF TOOL—IT IS A FUNDAMENTAL SURVIVAL STRATEGY FOR THE 21ST CENTURY
TAIPEI FASHION WEEK (AW26)
TAIPEI FASHION WEEK (AW26) SERVES AS A PIVOTAL PLATFORM FOR FASHION EXPERIMENTATION IN ASIA, WHERE MATERIALS, INNOVATION, AND LOCAL IDENTITY ARE WOVEN INTO THE LANGUAGE OF GARMENTS
MAIBANTAT DESIGN OFFICE
BANDIDTAT TOSAYANCHAI, FOUNDER AND ARCHITECT OF MAIBANTAT DESIGN, REPURPOSED SALVAGED MATERIALS FROM HIS FAMILY’S OLD HOUSE TO CONSTRUCT HIS NEW OFFICE, REINVENTING THE TRADITIONAL ‘HALF-WOOD, HALF-CONCRETE HOUSE’
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PHOTO ESSAY : SOMETHING IN EVERYTHING
TEXT & PHOTO: SUKRIT PATJUNTADUSIT
(For Thai, press here)
“The whisper of the factories is louder than the cries of the villagers.”
The sentence comes from a community representative in Rayong, a province where residents have long lived with the consequences of industrial pollution. Factory smoke carrying foul odours and unexplained chemical leaks into the sea becoming recurring incidents, returning seemingly every year. Marine life has begun to disappear. Fishermen are losing their livelihoods. Concerns about public health have intensified alongside rising cancer rates.
SOMETHING IN EVERYTHING is an experimental photo essay developed through fieldwork in Rayong. Working with photographic film, Sukrit Patjuntadusit employs the process known as ‘film soup.’
For this series, the film was exposed not only to light, but to the residues of industrial harm: wastewater flowing from factory drainage pipes into the sea; water from a treatment pond that had leaked into community waterways; chemically contaminated soil from a rubber plantation beside a factory that had previously caught fire; ash from chemical drums; and crude oil collected by villagers after the 2022 oil pipeline leak washed ashore at Mae Ramphueng Beach.
Once the film was developed and the images began to emerge, the photographs revealed the material trace of these effects. Colours became distorted. Chemical residues left visible stains. Acidic compounds corroded the film, damaging and deforming its surface. Through this experimental process, the work makes perceptible the possibility that what corrodes the film may also have the capability to affect the human body.
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Pao Sukrit Patjuntadusit, also known as SiiXTY-4 (64), is a photographer and photographic artist. He currently works as a freelance photographer across commercial and event-based projects. As an artist, Pao is drawn to environmental questions, traces of human activity, and the fragile boundaries of what it means to be human. He lives in Bangkok, a city dense with civilization, noise, and disorder.











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