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PHOTO ESSAY : HONG KONG SOLITAIRE
TEXT & PHOTO: PATRICK KASINGSING
(For Thai, press here)
Hong Kong captivates me like no other city. From my first visit in 2017 to my most recent stop last September, this 1,108km² pocket of contrasts keeps pulling me back. Every trip feels like uncovering another layer, where something familiar is always just a little different. It’s a place where glass-and-steel skyscrapers soar above streets that still hold the grit and character of another time, where the sharp edges of a modern “Asia’s World City” soften into traces of its past as the Fragrant Harbor.
Hong Kong hums with urgency: fast, loud, relentless. But every so often, it pauses, exhales, and shows you its quieter side, rare moments that I wanted to capture in this series. A solitary figure standing in the shadow of towers; a woman in green, lost in her own thoughts along the Avenue of Stars; a Yau Ma Tei street stirring awake as the day begins. These quiet moments, nearly missed amidst the city’s rush, are the ones I always seem to gravitate toward, the small, human glimpses that, to me, make up the real Hong Kong.
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Patrick Kasingsing is an art director, photographer, writer, and Philippine architectural heritage advocate. He founded @brutalistpilipinas and @modernistpilipinas, platforms celebrating the country’s architectural legacy, and launched Kanto.PH, an online magazine covering design and culture in the Philippines and Southeast Asia. Previously creative director of architecture magazine BluPrint, he revitalized its identity and oversaw creative direction for multiple One Mega Group titles. As art director of adobo magazine, his contributions to its rebrand earned a Philippine Quill award. Patrick’s writing and photography has also appeared in publications from Birkhäuser Verlag, Braun, DOM Publishers, PURVEYR, and Vogue Philippines among others.
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SUNDAY SKETCHES
TEXT & PHOTO: CHRISTOPH NIEMANN
(For Thai, press here)
When I work on my Sunday Sketches, it’s never about a sudden inspired spark. I pick a random object, and then I just stare at it. I look at it from different angles, play with the light (usually just by moving my desk lamp). And I try to open my mind as wide as possible to see if a peculiar angle reminds me of a familiar shape.
More often than not, this yields… nothing.
And when it does, I doubt it’s because I have a special gift for making these visual connections. It’s because sometimes I have the stamina to keep on staring when a saner person would do the reasonable thing and get on with their life instead.
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Christoph Niemann (*1970) is an artist, author, and illustrator. His work regularly appears on the covers of The New Yorker, National Geographic, and The New York Times. Niemann’s works have been shown in many museum exhibitions worldwide, including Museum für Kunst und Gewerbe (Hamburg, Germany), Museum of Contemporary Art (Bucharest, Romania), Cartoonmuseum (Basel, Switzerland), Galerie d’Italia (Vicenza, Italy), Chemie Museum (Tainan, Taiwan), MoCA Museum (Shanghai), MoMA (New York, USA).









































