ZAHA HADID HAS CURATED AND DESIGNED AN EXHIBITION AT GALERIE GMURZYNSKA ZURICH – THE FIRST EXHIBITION THAT DIRECTLY EXPLORES THE CONNECTION BETWEEN HER WORK AND THE RUSSIAN SUPREMATISM ARTISTS OF THE EARLY TWENTIETH CENTURY
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THE WORKS OF YOUNG FRENCH ARCHITECTS, ANNE LACATON AND JEAN-PHILIPPE VASSAL , HAS BEEN CHARACTERIZED BY A DESIRE TO RETURN TO THE BASICS
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‘FOUR PLAYS,’ PUBLISHED IN ART4D #114 BACK IN 2005, WHEN TADAO ANDO HAS RECENTLY COMPLETED A NEW CHICHU ART MUSEUM ON THE REMOTE NAOSHIMA ISLAND. WRITTEN BY CHAIYOSH ISAVORAPANT WHO PAYS A VISIT
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IN 1999, PIRAK ANURAKYAWACHON GUIDED US TO NORMAN FOSTER’S METRO STATION AND SANTIAGO CALATRAVA’S FOOTBRIDGE IN BILBAO, SPAIN
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THE FOLLOWING CONVERSATION WITH CAMPER’S CREATIVE DIRECTOR, SHUBHANKAR RAY, MAY THROW SOME LIGHT ON COEXISTING WITH CAPITALISM IN A SOPHISTICATED WAY
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IN 2013, CHAVALIT SOEMPRUNGSUK RETURNS TO BANGKOK TO SHARE NOT ONLY HIS WORKS BUT ALSO THE STUDIO THAT NURTURED THEM. THE EXHIBITION AT THE RATCHADAMNOEN CONTEMPORARY ART CENTER PROVIDES A BEHIND THE SCENES LOOK AT BOTH ARTIST AND WORKS Read More
CHRISTO WHO, EVEN THOUGH ALREADY IN HIS 80S, STILL LOOKS COMPLETELY ENTHUSIASTIC. HE TAKES A WALK AROUND THE AREA WHERE THE GIGANTIC PIER, ‘THE FLOATING PIERS’, IS LOCATED
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THE PORTRAITS OF 58 HRDS WHO WERE MURDERED OR MADE TO DISAPPEAR THAT INSPIRES US ALL TO REMEMBER AND CONSIDER HOW MONEY AND POWER CAN EASILY TAKE SOMEONE’S LIFE FROM THE WORLD
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