ZAHA HADID HAS CURATED AND DESIGNED AN EXHIBITION AT GALERIE GMURZYNSKA ZURICH – THE FIRST EXHIBITION THAT DIRECTLY EXPLORES THE CONNECTION BETWEEN HER WORK AND THE RUSSIAN SUPREMATISM ARTISTS OF THE EARLY TWENTIETH CENTURY
THE PORTRAITS OF 58 HRDS WHO WERE MURDERED OR MADE TO DISAPPEAR THAT INSPIRES US ALL TO REMEMBER AND CONSIDER HOW MONEY AND POWER CAN EASILY TAKE SOMEONE’S LIFE FROM THE WORLD Read More
CHRISTO WHO, EVEN THOUGH ALREADY IN HIS 80S, STILL LOOKS COMPLETELY ENTHUSIASTIC. HE TAKES A WALK AROUND THE AREA WHERE THE GIGANTIC PIER, ‘THE FLOATING PIERS’, IS LOCATED
IN 2013, CHAVALIT SOEMPRUNGSUK RETURNS TO BANGKOK TO SHARE NOT ONLY HIS WORKS BUT ALSO THE STUDIO THAT NURTURED THEM. THE EXHIBITION AT THE RATCHADAMNOEN CONTEMPORARY ART CENTER PROVIDES A BEHIND THE SCENES LOOK AT BOTH ARTIST AND WORKSRead More
‘FOUR PLAYS,’ PUBLISHED IN ART4D #114 BACK IN 2005, WHEN TADAO ANDO HAS RECENTLY COMPLETED A NEW CHICHU ART MUSEUM ON THE REMOTE NAOSHIMA ISLAND. WRITTEN BY CHAIYOSH ISAVORAPANT WHO PAYS A VISIT
THIS STRANGE-LOOKING BUILDING DESIGNED BY BUNDIT CHULASAI, MAY BE THE ANSWER TO THE CHANGES IN THE THAI WAY OF LIVING IN LATE 1990S – EARLY 2000S IN THAILAND
“NORMAL” (RELATIONAL AESTHETICS) – A LECTURE BY RIRKRIT TIRAVANIJA WAS TO ESTABLISH JUST WHY HIS “PAD THAI” IS CONSIDERED ART. IN KEEPING WITH THIS, ART4D HAS BROUGHT SOME CONVERSATIONS FOR YOU
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