Category: PHOTO ESSAY

PHOTO ESSAY : WEEKEND STAGE

TEXT & PHOTO: SOOPAKORN SRISAKUL

(For Thai, press here)

I think of that place during this irregular vacation.

There are only a few places that one can willingly work in, day and night. But working after hours at your office doesn’t mean that you’re emotionally attached to the place. And surely if no one had stayed overtime during the late hours, there wouldn’t this ghost story for us to reminisce. It was about 3-10 years ago when the publishing industry was going through its heyday, hence there was an office party celebrating an occasion I can no longer remember. The gathering took place at a venue where the Bangkok Noi canal and Mahasawat canal meet, the waterway that was one of the city’s commuting routes. I asked the younger colleagues ( I think they were Cake and Wan) to accompany me to buy more beers. We were carrying as many cans of alcohol as our skills and combined strength could muster for the folks who were still working on their deadlines on the third floor. And although today the feast is back on its regular schedule and we now carry an ice bucket for the Chang Beer left unattended in the fridge instead of the cans of Singha and Heineken we used to favor. Jom, the former secretary and my mother both still insist that I call Sara if I want to know about the ghost story because I wasn’t there to witness the one they told.

Certain legends become obscure disconnected memories, while the pictures taken a month ago still project the view and the awning windows with unpainted anodize frames that were always left open to welcome the wind and the sound of the boats running through the canal. It was in late March to April. The fruits, apples, sometimes raw mangoes, were left on the porch anonymously, all dried up. It reminds me of the sounds the squirrels made when they jumped through the leafy branches of the Raja palm trees. There were red squirrels with little white bellies and if this was during the day time, they would be making their ways through the Black Afara trees to the third floor windows.

In the middle of the sunny day, on a day off, I sometimes snuck out for a cigarette break, extending my arms out, past the window frame facing the orchard with what had to be two of Bangkok’s tallest Yang trees towering as the backdrop. Smoking on the third floor on a day off relies on a simple technique. I would bend my elbow so that it aligns with the angle of the opened awning window and raise my last cigarette out to check the direction of the wind. Both of my legs were very aware of the thorns from a bunch of cactuses grown fondly by the office folks that were kept by the window. The white aluminum blinds were rolled up horizontally with a pair of hanging ropes. One is used to adjust the angles of the blind and the other was used to pull the blinds up. With the cold wind from the air-conditioning system, the glass surface of the window was always left with droplets whose shape reminisces sand dunes at the beach.

On a seeming day off, I went back there again.  The searingly hot afternoon sun bathed the stainless steel material of the front door that has never been shut once, in fifteen years. I heard the sounds of my own sandals as I walked past the security guard booth and a massive publishing house whose half of the space was now renovated into something I can’t recall. The sounds stopped in front of the security guard who now has an additional role of measuring people’s body temperature. He told me about his house in Jomthong or Ekachai district but I’ve never seen him leaving the building to go home,  not even once. The digital thermometer displayed red color after it did its reading near my forehead, and the guard told me that the weather must be too hot, and for the fourth time, I put my face in front of the running electric fan. This afternoon should be a perfect chance to call Sara. I think I might need to text someone to ask for her number.

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Soopakorn Srisakul Photographer of Baanlaesuan and Room Magazine who takes picture of, not just beautiful works of architecture, but everything around him (his girlfriend, for example).

behance.net/soopakornsrisakul

PHOTO ESSAY : ALUM-NILE


TEXT & PHOTO: PEERAPAT WIMOLRUNGKARAT

(For Thai, press here )

The second diary belonging to Peerapat Wimolrungkarat (ADDCANDID) when he spontaneously joined yet another one of his friends trips.

With friends, life is not complicated.
They just mentioned the word ‘Egypt’,
and I instantaneously said ‘I’m in…’

The plan was made. There were places to visit, flights to be taken, trains to hop on and even a cruise to board. They had the heart to ask me, so I had the heart to say yes. This journey began with me, being the easy man that I am, I got to travel through the Nile, strolling along the magnificent traces of civilization. I captured parts of the memories with my camera. Reminiscing the time we had together…

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ADDCANDID – Peerapat Wimolrungkarat
The photographer who loves to capture moments and memories that hidden in still images.

Leica Ambassador (Thailand)
Architecture photography @somethingarchitecture
Pocketbook A(dd)perture @abookpublishing

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addcandid.com

PHOTO ESSAY : PRATEEP’S VISION III

TEXT & PHOTO: DR. PRATEEP TANGMATITHAM

(For Thai, press here)

Being on a journey allows you to be free from all obligations, burdens and responsibilities, even if it’s only temporary. It is that special interval where we get to contemplate what we have been through. The experiences that have opened new perspectives, broadening the existing ones. There were times when the surrounding scenery had become more discernible than ever. Perhaps it’s how the sunlight in the city interacts with our vision differently from the sun we recall from our hometown. Perhaps it isn’t the sun but the way our eyes are able to see the world clearer than it was before. 

Prateep’s Vision III is what Dr. Prateep Tangmatitham named his photography book as well as the name of the exhibition, which features photos captured during his journey through 16 countries around the world. It is a reflection of something far more profound than the beauty geographical conditions, architecture and people. The work is Dr.Tangmatitham’s very own view of the world and on life as a photographer, an architect, an executive and the leader of the country’s leading real-estate development organization he refers to as the Supalai family.

supalai.com

PHOTO ESSAY : ON THE WALKWAY


TEXT & PHOTO: PAHPARN SIRIMA CHAIPREECHAWIT

(For Thai, press here)

Traveling gives us a chance to encounter the extraordinary and create memorable experiences. This week’s PHOTO ESSAY captured by Pahparn Sirima Chaipreechawit, who is one of the members of Street Photo Thailand and a photo curator, will present to us what she had witnessed along the way.
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“…Is apart of life, captured and reflected in photographs, forever telling our stories.”

pahparnsirima.com
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PHOTO ESSAY : SUPERNATURAL

TEXT & PHOTO: SANTANA PETCHSUK

(For Thai, press here)

Human beings live in our surrounding environment we collectively call ‘nature’ but with our combined ability, intellect and creativity or even fear, we attempt to control or overcome nature through our inventions, both tangible and intangible. 

It is somewhat safe to say that our abilities to sense and experience the supernatural does not need to rely on any special power nor sense, but rather a look into our own surrounding environment. We may be able to see supernatural powers or even a miracle we ourselves create. We eventually perceive them as normal even though such things have always been supernatural from the very beginning.

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Santana Petchsuk, an independent photographer with an interest in art and psychology considers photography as a tool that helps convey his views and thoughts on certain matters. Misplacement and imperfection have always been what he finds appealing, for they implicate and reflect behaviors and thought processes from which such fault originates. Petchsuk’s current focus is on still life photography and collage art. 

santanapetchsuk.com
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ig: @santanapetchsuk

 

PHOTO ESSAY : WATCH YOUR STEP!

TEXT & PHOTO: THINGSMATTER

(For Thai, press here)

Bangkok’s streets are a parade of ephemeral details, which are the product of colliding, seemingly unrelated interests:  capitalism, entropy, aestheticization, laziness, graffitist egos, official corruption,   the boredom of mosai drivers, the allowable bending radius of utility lines, and so on.  Every meter hosts a witty, visually striking exhibit of bizarre juxtaposition or jury-rigged ingenuity.  Surfaces and objects speak to each other and the microculture around them.  It’s poetry.

Yet we see people walk past, oblivious, their heads buried in phones, scrolling through intangible, irrelevant images.   For Bangkok Design Week, we prepared a walking guide to the non-designed minor spectacles of Ekamai’s streetscape, in an effort to elicit mindful pedestrianism.  The images here were selected from a collection of several hundred, taken in a single walk from Sukhumvit Road to Khlong Saen Saep, a few weeks ago.  Take the same walk today, and you’d collect a completely different set of images.

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thingsmatter is an interdisciplinary studio led by Savinee Buranasilapin and Tom Dannecker, with a particular interest in architecture as a fine art. “Watch Your Step!”, and other works related to the tectonics and culture of street architecture are on display in their shophouse gallery on Ekamai, through February 28.

thingsmatter.com

PHOTO ESSAY : AT A STANDSTILL

TEXT & PHOTO: NATTASIT BUNRATSAMEE

(For Thai, press here)

In the dimension of light and shadow, they impact and reflect upon each other through countless times, swaying from violence to silence from minutes to hours, from hours, which then turns into a day. Assimilated as a part of life but instead, is standing still and is shown through the photos. The beauty that appears is reflected again through my memories. Through the pictures, you’re seeing.

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Nattasit Bunratsamee, a photographer, a retoucher, and creative. He is currently studying art photography in France. Having an interest in contemporary art, he creates advertisements that bring art into various fields to create a balanced, beautiful and easy to understand concept with the current market and creates art in the form of “mise en scène photographie”.

nattasitphotographer.com
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ig: @tmzphotos

PHOTO ESSAY : INTO THE MOUNTAINS

TEXT & PHOTO: CHAOVARITH POONPHOL

(For Thai, press here)

 
This is my second time walking on this route. It was in April when I came to Annapurna for the first time. It was summer and the weather was completely different than it is this time. Around the end and beginning of the year, between December and January, the temperature could drop to 5-10°C, and even further down to – 15°C up on the Base Camp, not to mention the unmerciful winds that would come thrashing our bodies. The trek demanded incredibly meditative and conscious steps since almost the entire route of the circuit was covered with ice.
 

But those steps taken were a chance for me, being with my whole self. Through my exhausted legs, pained muscles, raging heartbeat and struggling to breathe, I learnt more about myself, more than I have ever known. The trip was 9 days long and I walked 124.7 kilometers through the mountains. The most important thing about this journey, however, wasn’t about reaching that final destination, but more about every step I took, the road in between, the nature that was embracing me, the route, the climate and the companions. 

These series of photographs were taken during that trek. ‘Into the Mountains’ is the name of the series.

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Chaovarith Poonphol is an architect with several years of work experience. He’s fallen so deep in love with photography that it has become both his hobby and profession. He’s currently working as an architecture photographer behind the lens of SkyGround architectural film & photography. He loves travelling and nature.

 

PHOTO ESSAY : LEAVE ME A MESSAGE

TEXT & PHOTO: DONLAPORN CHANACHAI

(For Thai, press here)

In early 2020, the world has experienced its greatest collective threat in the modern era. We are required to change and adapt to new requirements for our lifestyle, which ultimately is for our own survival. The ongoing crisis seems to get more and more serious every passing day. Our ability to go out into urban areas and public spaces has been curtailed, while physical and social interactions are becoming foreign to our daily routines. “Physical Distancing” and “Social Distancing” have become norms, which dictate our indoor and outdoor life. Our avoidance of close personal and conversational activities has morphed into a rule that our society has to live by.

When there are less activities outside and we spend most of our day at home, the emptiness of the streets allow us to clearly see the makeshift signs and messages on them in urban and public spaces or in front of shops and stalls. These usually-handwritten notices and directives serve to warn passersby and patrons about the required changes in routine. They are also a good indicator of both calmness and chaos of our society as we battle through this period. They are spoken directly to us. And we cannot help but wonder about the feelings and the moods of their owners and how they have to struggle to live through this crisis.

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Donlaporn Chanachai is a co-founder of Cloud-floor, an architectural practice focusing on research and design works that contribute to the development of urban and public spaces. Her interest also includes documenting daily routines and lives of city dwellers using various mediums, including photography, creative writing, mapping, as well as installation art.

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PHOTO ESSAY : NIGHT WANDER II

TEXT & PHOTO: MINTRA WONGBANCHAI

(For Thai, press here)

In “Night Wander II”, a sequel to Night Wander, the artist set up and captured images of ordinary daily activities in suburban houses of San Francisco. Taken through windows or gates, the photos show some people watching TV, others reading books or cleaning their houses. While the houses were brightly lit, the photographer was pressing the shutter button in the dark.

In the artist’s viewpoint, the night-time atmosphere and all the lights inside these houses in “Night Wander II” amplify her repression, longing for her family and places in her hometown as well as loneliness and lack of identity resulting from being apart from her loved ones, society and culture.

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Mintra Wongbanchai
This photographer graduate from King Mongkut’s Institute of Technology Ladkrabang (KMITL) is also the runner-up of Harper’s BAZAAR Canon Fashion Photography Award in 2009. After working as a fashion stylist in Bangkok, she continued her study at the Academy of Art in the City by the Bay where her interest in art photography grew. Currently living and working in the northern Thai province Lampang, Wongbanchai also guest-lectures at Creative Photography Division, Faculty of Fine Arts, Chiang Mai University. Fond of night photography and long exposure technique, she believes the night-time darkness simultaneously conveys solitude and peacefulness.

mintrawongbanchai.com
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