Tag: architectural
PHOTO ESSAY : WHITHER RIVERS FLOW
TEXT & PHOTO: XIMENG TU
(For English, press here)
As an architectural photographer, the sound of my shutter serves as a way for searching for the city’s textures, which have been increasingly drowned out by the noise of superficial culture. I grew up with the echo of ferry whistles and the soot-laden air along the banks of the Jialing River, in a factory zone built during China’s Third Front Movement. These memories became the roots that later sharpened my sense of difference when I later moved north. When I eventually returned to Chongqing, at a time when the city had been reduced to a mere ‘backdrop’ for tourists, a feeling of estrangement set in. This sense of dislocation led me to realize that the camera lens must function as a bridge across time, not merely as a device for recording images.
Under the pressure of capitalism, which compresses cities into commercial symbols, I came to see Chongqing as a living architecture: a vessel that holds human relationships and interactions. Over the past three years, I have employed photography as a form of ethnographic fieldwork, seeking out forms of ‘quiet resistance’ of ordinary people in overlooked alleys and forgotten corners. These traces of life are placed in dialogue with an almost surreal modernity.
The title Whither Rivers Flow reflects my belief that urban imagery should be like the river itself, carrying the weight of history while reflecting the spectrum of human existence at once. In the end, people, like currents, come and go, leaving stories behind and taking new ones with them, forever flowing between the mountains and the water.
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Ximeng Tu (屠栖蒙) is an architectural photographer from Chongqing, People’s Republic of China. His work explores architecture, everyday life, and nature along the city’s two rivers, documenting the relationships and interactions between these elements through the traces of urban and local development.
WHITE MOUNTAIN, FOLDED IN COATED STEEL
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SUMMER DESIGN
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ARCHITECTURE IN MICRO-SCALE
TEXT & PHOTO: AESTHEBRICK
(For Thai, press here)
These creations began with a simple question: how can childhood LEGO bricks be transformed into architectural works? The first piece was inspired by a rectangular brick with a cross-shaped hole at its center. That single element instantly evoked the image of Tadao Ando’s Church of Light, and we knew it had to be part of that architectural model. After completing the initial piece, we continued developing more works, focusing primarily on iconic architecture from around the world. More recently, however, we have turned our attention to Thai designs. Our two latest models are based on the Thailand Pavilion by A49 for Expo 2025 in Osaka and the Raw Line Pavilion by Looklen Architects for ASA Expo 2025. In both cases, we aimed to recreate the structures at the smallest possible scale while still clearly communicating their architectural identity. Form and proportion were our guiding principles, though we also simplified certain elements to accommodate the inherent limitations of LEGO bricks.
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Aesthebrick is a name derived from aesthetics, reflecting our intent to create works that explore beauty in all forms, not limited to architecture, but also encompassing floral arrangements made from LEGO and other creative ventures to come.





















































