Tag: symbol

PHOTO ESSAY : LOST IN THE MOON


TEXT & PHOTO: CHATURON YADAM

(For Thai, press here

To the moon.
You whom I can only gaze upon from here.
Up there, with only stars and sky for company, it must be terribly lonely. 

Have you ever found yourself in love with the moon?
I am one of those who have fallen for it completely.
Perhaps I could even be called a rabbit hopelessly enamored with the moon. 

Many say the moon is a symbol of the unattainable, something we are destined only to admire from afar, never to possess. 

She is like the distant glow of the moon itself, surrounded by countless rabbits, longing and reaching, and by a hundred thousand stars. Yet she remains softer, more luminous than any light among them. 

Even when one longs to ascend, rabbits are timid creatures.
And still, deep down, I wish to hold her. If only in the form of an image, that would be enough. 

I am the one who pairs the moon with its companions. As much as I wish to stand beside her myself, it is simply not possible, because there is no one to take the photograph, hahaha. Even so, if I cannot claim her, there is still joy in simply looking up from here. 

In the end, my moon may not be as grand as others.
But I can photograph her in my own way, even so.

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Rong, Chaturon Yadam is a merchant with a deep passion for photography, working across a wide range of genres. He is particularly drawn to minimal photography, valuing simplicity and clarity, and often composes his images with generous negative space to create a sense of calm and visual cleanliness. His practice frequently returns to the moon and the sky, as he seeks to preserve the feeling of wonder he experiences each time he looks upward, quietly captured and held within the frame of a photograph.

instagram.com/lost_in_the_mooon 

PHOTO ESSAY : SAWADEE


TEXT & PHOTO: BARRY MACDONALD

(For Thai, press here

One of the first things a tourist learns in Thailand are the words ‘Sawadee’ combined with the wai gesture. It originated over 2,000 years ago in Hinduism with the Añjali Mudrā gesture, which accompanies ‘namaste’ and was adopted by Buddhism. 

It was a yogic posture, the equal meeting of the palms symbolising that the other party is treated as an equal human being. As well as greetings it’s also used for farewells, thanking, apologising, asking for mercy and expressing various forms of politeness and respect. 

Thais have strict hierarchies and the wai is central in how this is acted out everyday. Greeting an equal sees your palms meet at your chest, waiing someone older or in a position of authority like your teacher or boss, sees your hands at chin height. Waiing a monk, buddha image or royalty puts your hands at your forehead with a bow of the head. Older people don’t have to return the wai of younger people and customers don’t have to return the wai of shop workers. How someone wais you has huge symbolism to how they see you, and who is in the dominant role in the relationship. 

I became interested in how widespread this gesture is depicted, in religious contexts, muay Thai, Khon dance, massage, but also in commercial mascots, public notices, stickers and clip art. Despite its fading popularity with the younger generation, I want to show how this gesture has become a symbol of Thai identity on so many levels.

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Barry Macdonald (b. 1984) is a freelance photographer from London, England. He started off shooting musicians and found out about the enjoyment of travelling from going on tour with bands around Europe and the USA. His work has evolved into a hybrid of street and documentary. He is interested in sociology and tries to look at culture and human nature through his photography. He has lived in Bangkok, Thailand since 2022.

barrymacdonald.co.uk
facebook.com/barry.macdonald2