Tag: Photo essay

PHOTO ESSAY : WEEKEND STAGE

TEXT & PHOTO: SOOPAKORN SRISAKUL

(For Thai, press here)

I think of that place during this irregular vacation.

There are only a few places that one can willingly work in, day and night. But working after hours at your office doesn’t mean that you’re emotionally attached to the place. And surely if no one had stayed overtime during the late hours, there wouldn’t this ghost story for us to reminisce. It was about 3-10 years ago when the publishing industry was going through its heyday, hence there was an office party celebrating an occasion I can no longer remember. The gathering took place at a venue where the Bangkok Noi canal and Mahasawat canal meet, the waterway that was one of the city’s commuting routes. I asked the younger colleagues ( I think they were Cake and Wan) to accompany me to buy more beers. We were carrying as many cans of alcohol as our skills and combined strength could muster for the folks who were still working on their deadlines on the third floor. And although today the feast is back on its regular schedule and we now carry an ice bucket for the Chang Beer left unattended in the fridge instead of the cans of Singha and Heineken we used to favor. Jom, the former secretary and my mother both still insist that I call Sara if I want to know about the ghost story because I wasn’t there to witness the one they told.

Certain legends become obscure disconnected memories, while the pictures taken a month ago still project the view and the awning windows with unpainted anodize frames that were always left open to welcome the wind and the sound of the boats running through the canal. It was in late March to April. The fruits, apples, sometimes raw mangoes, were left on the porch anonymously, all dried up. It reminds me of the sounds the squirrels made when they jumped through the leafy branches of the Raja palm trees. There were red squirrels with little white bellies and if this was during the day time, they would be making their ways through the Black Afara trees to the third floor windows.

In the middle of the sunny day, on a day off, I sometimes snuck out for a cigarette break, extending my arms out, past the window frame facing the orchard with what had to be two of Bangkok’s tallest Yang trees towering as the backdrop. Smoking on the third floor on a day off relies on a simple technique. I would bend my elbow so that it aligns with the angle of the opened awning window and raise my last cigarette out to check the direction of the wind. Both of my legs were very aware of the thorns from a bunch of cactuses grown fondly by the office folks that were kept by the window. The white aluminum blinds were rolled up horizontally with a pair of hanging ropes. One is used to adjust the angles of the blind and the other was used to pull the blinds up. With the cold wind from the air-conditioning system, the glass surface of the window was always left with droplets whose shape reminisces sand dunes at the beach.

On a seeming day off, I went back there again.  The searingly hot afternoon sun bathed the stainless steel material of the front door that has never been shut once, in fifteen years. I heard the sounds of my own sandals as I walked past the security guard booth and a massive publishing house whose half of the space was now renovated into something I can’t recall. The sounds stopped in front of the security guard who now has an additional role of measuring people’s body temperature. He told me about his house in Jomthong or Ekachai district but I’ve never seen him leaving the building to go home,  not even once. The digital thermometer displayed red color after it did its reading near my forehead, and the guard told me that the weather must be too hot, and for the fourth time, I put my face in front of the running electric fan. This afternoon should be a perfect chance to call Sara. I think I might need to text someone to ask for her number.

_____________

Soopakorn Srisakul Photographer of Baanlaesuan and Room Magazine who takes picture of, not just beautiful works of architecture, but everything around him (his girlfriend, for example).

behance.net/soopakornsrisakul

PHOTO ESSAY : ALUM-NILE


TEXT & PHOTO: PEERAPAT WIMOLRUNGKARAT

(For Thai, press here )

The second diary belonging to Peerapat Wimolrungkarat (ADDCANDID) when he spontaneously joined yet another one of his friends trips.

With friends, life is not complicated.
They just mentioned the word ‘Egypt’,
and I instantaneously said ‘I’m in…’

The plan was made. There were places to visit, flights to be taken, trains to hop on and even a cruise to board. They had the heart to ask me, so I had the heart to say yes. This journey began with me, being the easy man that I am, I got to travel through the Nile, strolling along the magnificent traces of civilization. I captured parts of the memories with my camera. Reminiscing the time we had together…

_____________

ADDCANDID – Peerapat Wimolrungkarat
The photographer who loves to capture moments and memories that hidden in still images.

Leica Ambassador (Thailand)
Architecture photography @somethingarchitecture
Pocketbook A(dd)perture @abookpublishing

fb.com/addcandid
addcandid.com

PHOTO ESSAY : ON THE WALKWAY


TEXT & PHOTO: PAHPARN SIRIMA CHAIPREECHAWIT

(For Thai, press here)

Traveling gives us a chance to encounter the extraordinary and create memorable experiences. This week’s PHOTO ESSAY captured by Pahparn Sirima Chaipreechawit, who is one of the members of Street Photo Thailand and a photo curator, will present to us what she had witnessed along the way.
.
“…Is apart of life, captured and reflected in photographs, forever telling our stories.”

pahparnsirima.com
fb.com/ppsirima

 

 

PHOTO ESSAY : SUPERNATURAL

TEXT & PHOTO: SANTANA PETCHSUK

(For Thai, press here)

Human beings live in our surrounding environment we collectively call ‘nature’ but with our combined ability, intellect and creativity or even fear, we attempt to control or overcome nature through our inventions, both tangible and intangible. 

It is somewhat safe to say that our abilities to sense and experience the supernatural does not need to rely on any special power nor sense, but rather a look into our own surrounding environment. We may be able to see supernatural powers or even a miracle we ourselves create. We eventually perceive them as normal even though such things have always been supernatural from the very beginning.

_____________

Santana Petchsuk, an independent photographer with an interest in art and psychology considers photography as a tool that helps convey his views and thoughts on certain matters. Misplacement and imperfection have always been what he finds appealing, for they implicate and reflect behaviors and thought processes from which such fault originates. Petchsuk’s current focus is on still life photography and collage art. 

santanapetchsuk.com
fb.com/Santana-Petchsuk-Photography
ig: @santanapetchsuk

 

PHOTO ESSAY : WATCH YOUR STEP!

TEXT & PHOTO: THINGSMATTER

(For Thai, press here)

Bangkok’s streets are a parade of ephemeral details, which are the product of colliding, seemingly unrelated interests:  capitalism, entropy, aestheticization, laziness, graffitist egos, official corruption,   the boredom of mosai drivers, the allowable bending radius of utility lines, and so on.  Every meter hosts a witty, visually striking exhibit of bizarre juxtaposition or jury-rigged ingenuity.  Surfaces and objects speak to each other and the microculture around them.  It’s poetry.

Yet we see people walk past, oblivious, their heads buried in phones, scrolling through intangible, irrelevant images.   For Bangkok Design Week, we prepared a walking guide to the non-designed minor spectacles of Ekamai’s streetscape, in an effort to elicit mindful pedestrianism.  The images here were selected from a collection of several hundred, taken in a single walk from Sukhumvit Road to Khlong Saen Saep, a few weeks ago.  Take the same walk today, and you’d collect a completely different set of images.

_____________

thingsmatter is an interdisciplinary studio led by Savinee Buranasilapin and Tom Dannecker, with a particular interest in architecture as a fine art. “Watch Your Step!”, and other works related to the tectonics and culture of street architecture are on display in their shophouse gallery on Ekamai, through February 28.

thingsmatter.com

PHOTO ESSAY : AT A STANDSTILL

TEXT & PHOTO: NATTASIT BUNRATSAMEE

(For Thai, press here)

In the dimension of light and shadow, they impact and reflect upon each other through countless times, swaying from violence to silence from minutes to hours, from hours, which then turns into a day. Assimilated as a part of life but instead, is standing still and is shown through the photos. The beauty that appears is reflected again through my memories. Through the pictures, you’re seeing.

_____________

Nattasit Bunratsamee, a photographer, a retoucher, and creative. He is currently studying art photography in France. Having an interest in contemporary art, he creates advertisements that bring art into various fields to create a balanced, beautiful and easy to understand concept with the current market and creates art in the form of “mise en scène photographie”.

nattasitphotographer.com
fb.com/tumz.bunratsamee
ig: @tmzphotos

PHOTO ESSAY : INTO THE MOUNTAINS

TEXT & PHOTO: CHAOVARITH POONPHOL

(For Thai, press here)

 
This is my second time walking on this route. It was in April when I came to Annapurna for the first time. It was summer and the weather was completely different than it is this time. Around the end and beginning of the year, between December and January, the temperature could drop to 5-10°C, and even further down to – 15°C up on the Base Camp, not to mention the unmerciful winds that would come thrashing our bodies. The trek demanded incredibly meditative and conscious steps since almost the entire route of the circuit was covered with ice.
 

But those steps taken were a chance for me, being with my whole self. Through my exhausted legs, pained muscles, raging heartbeat and struggling to breathe, I learnt more about myself, more than I have ever known. The trip was 9 days long and I walked 124.7 kilometers through the mountains. The most important thing about this journey, however, wasn’t about reaching that final destination, but more about every step I took, the road in between, the nature that was embracing me, the route, the climate and the companions. 

These series of photographs were taken during that trek. ‘Into the Mountains’ is the name of the series.

_____________

Chaovarith Poonphol is an architect with several years of work experience. He’s fallen so deep in love with photography that it has become both his hobby and profession. He’s currently working as an architecture photographer behind the lens of SkyGround architectural film & photography. He loves travelling and nature.

 

PHOTO ESSAY : THE WELL

TEXT & PHOTO: KUKKONG THIRATHOMRONGKIAT

(For Thai, press here)

‘Well’ 

The word suddenly surfaced as if it had been waiting on the tip of my tongue, biding its time. Actually, I have never dreamt of it, such as usually often seen from a character in mystery-thriller films. However, it can’t be denied that it has been a part of me growing up. At a time when my responsibility towards the world, or humanity, was minimal, at a place away from being civilised, a square brick wall, in the back garden size of one Rai and a bit, under law of reciprocal proportion. A very simple law, just as the rising and falling of the sun, I spent my seemingly neverending time on creating and destroying every single matters therein existed in order to create something for time itself to feed on, and pound them to pieces at the first warning of the expansion beyond this boundary. 

Under law of reciprocal proportion….A very simple law, just as the rising and falling of the sun.

An underground water well with diametre of 90cm was situated right in the middle of this back garden. The opening of the well was sealed shut with a couple wooden planks and corrugated metal sheets. A metal pipe connected to the pipe dipped down, its end disappeared into the darkness. And when light failed to penetrate through, its depth appeared, clear as days. I crouched, reduce my volume, refining my breath, and when everything miniaturise to a suitable dimension, I would slip myself through the opening in the well’s cover, staying there 4-5 days at the least. Or if luck would have it, I could stay in there for months, before feeling of confinement assaulted unprovoked….one must not forget that no matter how small I could resize myself to, but my perceptions stays all the while the same as before. 

Under law of reciprocal proportion….A very simple law, just as the rising and falling of this sun.

Many learnt it, some accept it, and yet many more never learn to accept it. They try to modify, or twist it and take it in within the condition of time, or even ordain themselves as the rulemaker…

In a place where red exists but can not appear, the sun and the moon alternate their turn shining brightly but never quite reach. Under solitude, I couldn’t help but think that in that place, we may be exempted.

*These photos are part of “Eastern Song”. They are dedicated to lost souls or those that are restless, in the internal well, and yearning for freedom and equality in the idealistic world.  

_____________

Kukkong Thirathomrongkiat (b. 1983) holds a Bachelor of Architecture (Chulalongkorn University). An architect and freelance photographer, he has just launched a new publication “Window Magazine”.

fb.com/kukkong.th

OPENING TO THE NEW POSSIBILITIES


TEXT: PAPHOP KERDSUP
PHOTO: WASAWAT DECHAPIROM EXCEPT AS NOTED

What do “voids” in architecture from different periods inform us?

In addition to societal and cultural developments, “voids”—including doors, windows, vertical and horizontal openings in architecture as well as framing with such elements as walls—reflect the relationship between people and our environments, such as climate, use of space = and particularly natural light.

In the past, the wall-bearing structure in Thai architecture caused limitation in the size of voids, like walls of the Buddhist temple’s main hall and commercial buildings in their early days. This made our feelings towards light and darkness in the past differ from that today. Actually, we might have become more accustomed to the beauty in the shadows that felt more ambiguous than the complete clarity in front of our eyes.

In the latter half of the 20th   century, modern construction technology started to enable people to bring the lights into our everyday living, thanks to the large glass windows and doors,  especially for TOSTEM’s quality aluminium-framed ones. Thai people’s experience of lights has changed accordingly. With natural sunlight during the daytime and artificial light at night, we are now appreciating the aesthetics of light more than ever.

As architecture has been evolving until the present time, our experience of space starts to diversify. The familiarity caused by “voids”, which have changed from one period to another, makes us see the world around us with different perspectives. Framed images we see through windows, for example, are as appealing as that of an architecture accidentally framed by sidewalk walls while walking around Bangkok.

tostemthailand.com