AS THE WORLD OF MAGAZINES MOVES AT A FASTER SPEED THAN THAT OF BOOKS, AND PEOPLE ARE EAGER TO PUT THEIR OPINIONS OUT THERE THROUGH THE MAKING OF THE PRINT MEDIUM, QUESTIONS LIKE “SO YOU WANT TO PUBLISH A MAGAZINE?” SOUND LIKE THE PERFECT PROPOSITION FOR THOSE WHO HAVE GOTTEN LOST IN THIS MEDIA WHIRLPOOL.
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SABHA, A HINDI WORD FOR ‘GATHERING,’ IS THE NAME OF HERMAN MILLER’S LATEST SEATING SYSTEM. THE WORD ALSO RESONATES THE ELEMENTAL CONCEPT OF THE WORK WHOSE FUNCTIONAL OBJECTIVE IS TO ENABLE AN EFFECTIVE ‘COLLABORATION’ BETWEEN USERS.
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IN THE EXHIBITION ‘DIN CLAY TON’ HELD RECENTLY AT BACC, ART4D GOT A CHANCE TO SPEAK WITH WASINBUREE SUPANICHVORAPARCH ABOUT THE COMMON GROUND BETWEEN THE TWO PRACTICES — PHOTOGRAPHY AND CERAMIC AND HIS COLLABORATION WITH STEFANIE HERING, THE GERMAN CERAMIC ARTIST
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FROM CREATIVE GROUP HEAD TO ADVERTISING FILM DIRECTOR, PEN-EK RATANARUANG IS NOW WORKING ON HIS FIRST FEATURE FILM. ART4D TALKS TO HIM ABOUT THE PLOT, THE IDEAS BEHIND IT, AND HIS EXPECTATIONS FOR THE FUTURE.
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AT THE AGE OF 75, THE THAI TRADITIONALIST ARCHITECT ONG-ARD SATRABHANDHU REFLECTS UPON HIS VIEWS TOWARDS THE PAST AND THE IMPORTANCE OF HISTORY
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WHAT’S GOING ON IN ARCHITECTURE, DESIGN AND THE ART SCENE AROUND THE WORLD. LET’S SEE ON ART4D WRAP UP WEEKLY.
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ART4D TALKED WITH THE PEOPLE BEHIND THE REGIONAL ART ACTIVITIES HELD IN CHIANG MAI OVER THE PAST FEW YEARS
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A COLLECTION OF ESSAYS THAT ALLOWS FOR US READERS TO UNDERSTAND THE CONNECTIONS BETWEEN THE REGION’S ART HISTORY AND THE GENERAL HISTORY OF THE ART WORLD.
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‘MUI’ OR ‘NO INTENTIONAL ACT’ IN JAPANESE, IT IS DESIGNED TO POSSESS THE PHYSICAL APPEARANCE AND FUNCTIONALITY THAT EMBODIES THE MEANING OF SUCH A WORD, ITS RECTANGULAR SHAPE IS SO SIMPLE THAT NO ONE WOULD CONSIDER THAT THIS PIECE OF WOOD IS ACTUALLY A TECHNOLOGICAL TOOL WITH A GREAT VARIETY OF FUNCTIONS.
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THROUGH THE COLLABORATION WITH B&O (BANG & OLUFSEN), SARINYA LIMTHONGTIP, DESIGN DIRECTOR OF SRINLIM TRANSFORMS BLACK, PLAIN SURFACE OF BEOPLAY A9 INTO THE COLOURFUL CANVAS WITH THAI AUSPICIOUS WORDS
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