ผลงานล่าสุดของ Wes Anderson มีรายละเอียดของาน production design ด้วยสไตล์ที่เขาเคยทำหนังมาตลอด เพื่อสร้างโลกอุดมคติที่ตรงกันข้ามกับความจริงแสนเศร้าในสังคมอเมริกันยุค 50
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ENTERING THE CINEMATIC WORLD WITH FICS, A CAFÉ BY NATTAWUT POONPIRIYA (BAZ) THE DIRECTOR BEHIND ‘BAD GENIUS’ AND ‘ONE FOR THE ROAD’
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FOLLOWS THROUGH THE CINEMATIC REPERTOIRE OF RIDLEY SCOTT, THE CELEBRATED DIRECTOR BEHIND ALIEN (1979)
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THE FLOATING CINEMATHEQUE BUILDING WOODEN CINEMA WAS A COMMON THING IN THE PAST. BUT IS IT STILL POSSIBLE TO MAKE ONE AT PRESENT? TONSILP STUDIO AND KOR KAN DEE ARCHITECT ANSWER THIS QUESTION THROUGH THEIR LATEST PROJECT IN SALAYA, THE NEW BUILDING OF THAI FILM ARCHIVE, WHERE STATE-OF-THE-ART CINEMA TECHNOLOGY MEETS BUDDHIST IDEOLOGY
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ARTIST, FILM LOCATION MANAGER, BOOKSHOP OWNER, THESE ARE THE ROLES THAT WITHIT CHANTHAMARIT IS CURRENTLY TAKING ON
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YOUNG FILMMAKER PUANGSOI “ROSE” AKSORNSAWANG EXPLORED A HYBRID STORYTELLING IN HER FIRST FEATURE “NAKORN-SAWAN”
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ART4D WILL TAKE YOU BACK TO READ THE ARTICLE IN 1999 ABOUT COSTUME DESIGN AND ART DIRECTION OF STAR WARS: EPISODE I, WHICH IS TOTALLY DIFFERENT FROM THE ORIGINAL TRILOGY Read More
ONE HUNDRED YEARS OF SOLITUDE FOR THAILAND’S ART AND EXPERIMENTAL FILMS COMMUNITY. ONCE SEEN AS AN ALIENATING PRESENCE IN SOCIETY, THE COMMUNITY IS NOW SOMETHING PEOPLE ARE BEGINNING TO CARE ABOUT, WRITES GRIDTHIYA GAWEEWONG.
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FROM CREATIVE GROUP HEAD TO ADVERTISING FILM DIRECTOR, PEN-EK RATANARUANG IS NOW WORKING ON HIS FIRST FEATURE FILM. ART4D TALKS TO HIM ABOUT THE PLOT, THE IDEAS BEHIND IT, AND HIS EXPECTATIONS FOR THE FUTURE.
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