HEATHERWICK STUDIO’S FIRST MAJOR NEW BUILDING IN ASIA OFFERS THE OPPORTUNITY TO RETHINK THE TRADITIONAL UNIVERSITY BUILDING Dim Sum NTU
40 UNDER 40 | ASWA (ARCHITECTURAL STUDIO OF WORK-AHOLIC)
PHUTTIPAN ASWAKOOL aswa
ARCHITECT, 1982
CHOTIROS TECHAMONGKLAPIWAT
ARCHITECT, 1986
AND SO THE FEELING OF ‘CONTEMPORARY’ HAS APPEARED
“WHAT IS CONTEMPORARY ART?” SOUNDS LIKE A SIMPLE QUESTION BUT IT ISN’T THAT EASY TO ANSWER
OSVALDO BORSANI
May 16 – Sep 16, 2018
ITALY
Triennale di Milano
BACK TO BEIJING WITH CARE
6 YEARS AFTER THE COMPLETION OF CCTV, OLE SCHEEREN IS BACK TO MAINLAND CHINA ONCE AGAIN
40 UNDER 40 | ANONYM
PHONGPHAT UEASANGKHOMSET anonym
ARCHITECT, 1979
PARNDUANGJAI ROOJNAWATE
ARCHITECT, 1978
PORTRAIT [ARCHIVES OF DIALOGUE : SEEING AND BEING]
THIS LONG-TERM PROJECT BY THE ARTISTS DUO EXAMINES THEIR ROLE IN SOCIETY portrait jiandyin
DESIGN.VE 2018
May 23 – June 17, 2018
ITALY
Various locations around VENICE
THE PRESENCE OF TIME
May 25 – June 23, 2018
BANGKOK
Gallery, 1st floor, central building, Art Centre Silpakorn University Wangthapra
CHIANG MAI-MAI: MODERN ARCHITECTURE OF CHIANG MAI BETWEEN 1884-1975
“CHIANG MAI-MAI: MODERN ARCHITECTURE OF CHIANGMAI BETWEEN 1884-1975” IS A BOOK THAT BRINGS TOGETHER INFORMATION AND DATA FROM DIFFERENT DIMENSIONS AND ASPECTS OF RELATIONSHIPS AND CONNECTIONS TAKING PLACE WITHIN THE CONTEXT AND PHYSICALITY OF CHIANG MAI’S ARCHITECTURE










