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STUDIO.PEACE
DESPITE DIFFERENT SKILLS AND EXPERIENCES, THEY BOTH ARE HARMONIZED TO THE UNITARY DESIGN, WHICH CORRESPONDS TO THE DEFINITION OF A STUDIO’S NAME; PEACE
ASTEROID CITY
THE LATEST WORK OF WES ANDERSON CONTAINS THE DETAILED PRODUCTION DESIGN IN ‘ANDERSON STYLE’ TO CREATE A UTOPIA UNLIKE THE SAD REALITY IN AMERICAN SOCIETY OF THE 1950S
PHOTO ESSAY: SUKHUMVIT- THE THIRD ROAD
TEXT & PHOTO: ADAM BIRKAN
(For Thai, press here)
‘Sukhumvit- The Third Road’ explores the hypothesis that Sukhumvit road is a microcosm of Bangkok, and perhaps society as a whole. Although the road spans from Bangkok to the border of Cambodia (As Highway 3), the section explored in this book focuses mainly on the 14km portion of the road situated within the legal boundaries of Bangkok, from its point of origin at Ploenchit BTS Station, in the heart of the city, to The Chang Erawan BTS Station in the south of the city, just a short distance past the cities legal boundary. The series of images within offer no answers; they simply reveal the breadth of life contained along one road in one city. What the viewer sees and understands is as much a reflection of themselves as it is a reflection of reality. The road, like all roads, is a physical embodiment of the human experience, where struggle and prosperity, industry and history, time and culture coalesce to create a living tapestry. All the while, the unstoppable forces of new generations and the immovable objects of old generations grind away at each other until the end of our time.
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Adam Birkan is a freelance photographer and visual storyteller. He has been named one of Magnum’s 30 Under 30 and PDN 30. He has a Bachelors of Science in Visual Communication from Ohio University and is currently based in Bangkok, focusing on long term, and short term projects. His personal work often takes a macro view of social and economic issues. His focus is on literal and metaphorical juxtaposition and finding subtle moments that, collected together, reveal a broad depiction of accelerated industries and economic disparity.
STEEL IN STYLE THAILAND 01
A SPECIAL MAGAZINE IS RESHAPING OUR ENTRENCHED PERCEPTIONS AND RECOLLECTIONS OF STEEL AS MERELY AN INDUSTRIAL MATERIAL TO NEW ROLES OF METAL SHEETS WHICH TRANSFORM INTO APPEALING ARCHITECTURAL ELEMENTS
STUDIOLISM ARCHITECTS
THE ARCHITECTURE STUDIO THAT WAS FOUNDED WITH A DEDICATION TO ARCHITECTURE BELIEVED ALL SPACES COULD CONNECT PEOPLE DESPITE ANY CONSTRAINT
FOS LIGHTING DESIGN STUDIO
ART4D HAS INVITED FOS LIGHTING DESIGN STUDIO, KNOWN FOR THEIR NOTABLE WORKS IN THAILAND, TO DISCUSS THEIR ROLE AS LIGHTING DESIGNERS, THE ENJOYABLE AND SIGNIFICANT ASPECTS OF THEIR WORK, AND THE CHALLENGES THEY HAVE FACED
PHOTO ESSAY: GENESIS
TEXT & PHOTO: THANNOP AUTTAPUMSUWAN
(For Thai, press here)
Have you ever traveled to a place so exquisitely arranged that you found yourself surrounded by stunning natural beauty, causing you to wonder if such splendor could have formed merely by chance? Do these elements arise naturally, or could it be possible that our world was designed and created by someone?
“IN THE BEGINNING GOD CREATED THE HEAVEN AND THE EARTH”
As a child, I often pondered how our world came into existence. Growing older, I encountered numerous scientific theories explaining the origins of our planet, yet none could definitively prove their accuracy.
But there exists a book, the best-selling book in the world, translated into many languages—the Bible. Comprising 66 books, its first is titled ‘Genesis.’
Genesis 1:1 writes, “In the beginning, God created the heavens and the earth.” This verse speaks of God’s creation of the world in six days. Through studying and understanding each verse, this photo essay was born.
‘Genesis’: The Creation of Our World by God
It emerged… it exists… it fades away.
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Thannop Auttapumsuwan graduated from Silpakorn University’s Faculty of Architecture. He works as an architectural photographer and explores personal projects with black and white film cameras and darkroom processes.
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