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WINDSOR: PUBLIC SOLUTION
WINDSOR SOLUTIONS FOR PUBLIC BUILDINGS: INNOVATIVE DOOR AND WINDOW FRAMES DESIGNED TO PROTECT PUBLIC BUILDINGS FROM EXTERNAL POLLUTANTS AND ENHANCE THE QUALITY OF LIFE FOR THOSE INSIDE Read More
FLAT PLANES, MACHINES, AND MEMORY
EXPLORING ABSTRACT, LOVE, AND MACHINE IN SUMET JUMSAI’S PAINTINGS IN FLAT PLANES, MACHINES, AND MEMORY: PAINTING AS A PARALLEL PRACTICE IN THE WORK OF SUMET JUMSAI
THE MAGICAL STARS
THE MAGICAL STARS: AN ARCHITECTURAL INSTALLATION EVOKING A WINTER CHILL AMIDST THE TROPICAL CONTEXT OF CENTRAL PATTAYA
JIA CURATED
A CONVERSATION BETWEEN ART4D AND BUDIMAN ONG, CO-FOUNDER OF JIA, ABOUT THE CONCEPTS BEHIND JIA COLLECTIVE AND JIA CURATED, WHICH DRIVE DESIGN THROUGH THE POWER OF COMMUNITY
PHOTO ESSAY : COINCIDENCES IN THE STREET
TEXT & PHOTO: KANTAYA NEW
(For Thai, press here)
This photo essay collects unplanned street moments where timing, color and gesture align by chance.
On streets I know well, I look for visual connections between people and their surroundings: someone walking or pausing in front of a mural or poster, a passer-by echoing an image on a wall, or a person whose movement suddenly fits the background.
I am drawn to scenes that make me laugh, pause, or stop and wonder, “Did that really happen?” The photographs invite a second look at ordinary places and how coincidences can change the way we see the street.
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Kantaya New is a Thai–Singaporean street and conceptual photographer based in Singapore. Her street work focuses on playful visual coincidences in public space.
Her work has been exhibited internationally and has received recognition in competitions such as Sony Alpha: MX Street Photo Contest (1st Prize, 2025), Women Street Photographers Artist Residency (Shortlisted, 2025), Fujifilm Moment Street Photo Awards (2nd Prize, 2024), LensCulture Critics’ Choice (Winner, 2023) and Sony World Photography Awards (Shortlist, 2022 – Open Competition and Alpha Female Awards).
kantayanew.com
instagram.com/kantaya_new
instagram.com/kantaya_new_art
WHITE MOUNTAIN, FOLDED IN COATED STEEL
JENCHIEH HUNG AND KULTHIDA SONGKITTIPAKDEE OF HAS DESIGN AND RESEARCH PUSH COLORBOND® STEEL INTO NEW TERRITORY THROUGH THE KHAOYAI MOUNTAIN GROUNDED VILLA
FOAID 2025: MUMBAI EDITION
GET READY FOR INDIA’S BIGGEST DESIGN FESTIVAL AT FOAID 2025: MUMBAI EDITION, A SPACE THAT BRINGS TOGETHER INNOVATION, FUTURISTIC IDEAS, AND INSIGHTS FROM GLOBAL DESIGN LEADERS
AL-MUJADILAH CENTER AND MOSQUE FOR WOMEN
THE ARCHITECTURE OF THE AL-MUJADILAH CENTER AND MOSQUE FOR WOMEN BY DILLER SCOFIDIO + RENFRO REFLECTS THE FUSION OF TRADITIONAL MOSQUE TRADITIONS WITH CONTEMPORARY LEARNING SPACES FOR MUSLIM WOMEN
PHOTO ESSAY : LAYERS OF THE CITY
TEXT & PHOTO: PUTTIPONG NIPATUTIT
(For Thai, press here)
This series was created through in-camera multiple exposure, a technique that lets me view the city from an angle that feels unfamiliar. The intention was never to drift into fantasy. Rather, it is to suggest that urban life contains more strata than what we usually allow ourselves to see: roads cutting across towers, strangers passing one another, and the interplay of light, color, and sound that unfolds all at once, without choreography.
By layering these moments into a single frame, the technique becomes a way of recording both the city’s daily commotion and the small, almost imperceptible rhythms of order that sit quietly beneath it.
What I hope for is simple: that the familiar city might be seen again, but felt differently.
All photographs in this series were taken using the multiple-exposure function, with no digital retouching. I began exploring film-based multiple exposure in 2020, long before realizing that many digital cameras offered the same capability. That discovery eventually led me to experiment across both formats, and I continue to work with film and digital today.
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Puttipong Nipatutit (Amp), a passionate photographer and owner of a small digital print studio.












































