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CRANE COUPLE

DERSYN STUDIO DESIGNED CRANE COUPLE, A HOUSE THAT TRANSLATES THE NEEDS OF A MULTI-GENERATIONAL FAMILY INTO AN L-SHAPED LAYOUT SURROUNDING A COURTYARD, CREATING A PERFECT BALANCE BETWEEN SHARED LIVING AND PRIVACY

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PHOTO ESSAY : COINCIDENCES IN THE STREET

  • Blue Umbrellas


TEXT & PHOTO: KANTAYA NEW

(For Thai, press here

This photo essay collects unplanned street moments where timing, color and gesture align by chance. 

On streets I know well, I look for visual connections between people and their surroundings: someone walking or pausing in front of a mural or poster, a passer-by echoing an image on a wall, or a person whose movement suddenly fits the background. 

I am drawn to scenes that make me laugh, pause, or stop and wonder, “Did that really happen?” The photographs invite a second look at ordinary places and how coincidences can change the way we see the street.

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Kantaya New is a Thai–Singaporean street and conceptual photographer based in Singapore. Her street work focuses on playful visual coincidences in public space. 

Her work has been exhibited internationally and has received recognition in competitions such as Sony Alpha: MX Street Photo Contest (1st Prize, 2025), Women Street Photographers Artist Residency (Shortlisted, 2025), Fujifilm Moment Street Photo Awards (2nd Prize, 2024), LensCulture Critics’ Choice (Winner, 2023) and Sony World Photography Awards (Shortlist, 2022 – Open Competition and Alpha Female Awards).

kantayanew.com
instagram.com/kantaya_new
instagram.com/kantaya_new_art

FOAID 2025: MUMBAI EDITION

GET READY FOR INDIA’S BIGGEST DESIGN FESTIVAL AT FOAID 2025: MUMBAI EDITION, A SPACE THAT BRINGS TOGETHER INNOVATION, FUTURISTIC IDEAS, AND INSIGHTS FROM GLOBAL DESIGN LEADERS

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AL-MUJADILAH CENTER AND MOSQUE FOR WOMEN

THE ARCHITECTURE OF THE AL-MUJADILAH CENTER AND MOSQUE FOR WOMEN BY DILLER SCOFIDIO + RENFRO REFLECTS THE FUSION OF TRADITIONAL MOSQUE TRADITIONS WITH CONTEMPORARY LEARNING SPACES FOR MUSLIM WOMEN

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PHOTO ESSAY : LAYERS OF THE CITY


TEXT & PHOTO: PUTTIPONG NIPATUTIT

(For Thai, press here

This series was created through in-camera multiple exposure, a technique that lets me view the city from an angle that feels unfamiliar. The intention was never to drift into fantasy. Rather, it is to suggest that urban life contains more strata than what we usually allow ourselves to see: roads cutting across towers, strangers passing one another, and the interplay of light, color, and sound that unfolds all at once, without choreography. 

By layering these moments into a single frame, the technique becomes a way of recording both the city’s daily commotion and the small, almost imperceptible rhythms of order that sit quietly beneath it. 

What I hope for is simple: that the familiar city might be seen again, but felt differently. 

All photographs in this series were taken using the multiple-exposure function, with no digital retouching. I began exploring film-based multiple exposure in 2020, long before realizing that many digital cameras offered the same capability. That discovery eventually led me to experiment across both formats, and I continue to work with film and digital today.

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Puttipong Nipatutit (Amp), a passionate photographer and owner of a small digital print studio.

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instagram.com/amp_puttipong