OFFICE BUILDING 01 | GUARDIAN GLASS
EXPLORE THE USE OF GUARDIAN GLASS IN LEADING OFFICE BUILDINGS AS A MATERIAL CATERS TO FUNCTIONALITY AND REFLECTS THE VISION OF ITS OWNER OR ORGANIZATION IT REPRESENTS
OFFICE BUILDING 01 | GUARDIAN GLASS
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NENDO SEES KYOTO
SATO OKI, A JAPANESE DESIGNER FROM NENDO, ALONG WITH THE TRADITIONAL ARTISANS IN KYOTO REEXAMINE 9 OLD-BUT-GOLD KYOTO TRADITIONAL CRAFTS THROUGH THE LENS OF CONTEMPORARY DESIGN IN NENDO SEES TOKYO
MUSEUM OF POPULAR HISTORY
ART4D SPEAKS TO ANON CHAWALAWAN, A FOUNDER OF THE MUSEUM OF POPULAR HISTORY WHO RECORDS A POLITICAL MOVEMENT OUTSIDE THE MAINSTREAM NARRATIVE BY COLLECTING OBJECTS THAT SEEMS RATHER CONVENTIONAL BUT ARE PACKED WITH THE ENDEAVOUR OF ORDINARY PEOPLE
THE DESIGN CAMP 2022
TAKE A LOOK AT THE WINNERS OF ALL 4 CATEGORIES OF THE DESIGN CAMP 2022, THE COMPETITION BY THE AMERICAN HARDWOOD EXPORT COUNCIL (AHEC) AND HDII JAKARTA THAT SEARCHES FOR A NEW DESIGN CREATION FROM AMERICAN RED OAK TIMBER
PHOTO ESSAY : 365OHMANAWAT
TEXT & PHOTO: ANAWAT PETCHUDOMSINSUK
(For Thai, press here)
The feeling of never accomplishing anything substantial, of giving up what I started after a few days became the beginning of 365ohmanawat. By taking one still life photograph everyday for 365 consecutive days, this project is proof of my commitment to do something with the kind of consistency and determination that I had never done before. With my expertise as a professional photographer, the ideas and techniques incorporated to each image I captured are different from what I normally do.
Having to photograph products and food for advertising purposes, reality is deviated to render perfection. The longer I work, the more tedious it becomes. But that dullness motivates me to try doing something I have never done; to create something that is different from what we would usually see.
Some of the images may induce awkwardness. Some may give an opposite result to what a normal advertisement tends to deliver. But the experimental approach means that there is no limitation to what contents and techniques I could create and use.The photographs in this project are highly diverse, some may even upset people, some are objects and food found in our daily life, while some are the outcomes of my experimentation using techniques I saw in the media but never had a chance to try them out before.
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Anawat Petchudomsinsuk is a freelance food photographer who loves memes and cheekiness.
PERCEPTION OF EMPTINESS
KULTHIDA SONGKITTIPAKDEE FROM HAS DESIGN AND RESEARCH REINTERPRETS THE TRANSPARENCY OF SPACE AND MATERIALS AS TOOLS TO DEVELOP AN UNBOUND, MYSTERIOUS, AND INFINITE PERCEPTION TOWARDS ARCHITECTURE
DIÊN KHANH HOUSE
DIÊN KHANH HOUSE BY 6717 STUDIO ILLUSTRATES HOW GREEN SPACE AND NATURAL LIGHT CAN BE MANIPULATED WITHIN THE LIMITED SPACE OF ‘TUBE HOUSE’ WHICH IS AN ARCHITECTURAL TYPOLOGY TYPICALLY FOUND THROUGHOUT VIETNAM
ARRHOV FRICK: REORIENTATION
TONKAO PANIN INTRODUCES ARRHOV FRICK, AN ARCHITECTURE PRACTICE FROM SWEDEN WHOSE WORKS ARE DISSOCIATED FROM ‘AESTHETIC MANIPULATION’, PRESENTING STRAIGHTFORWARD ARCHITECTURE BASED ON STRUCTURAL AND CONSTRUCTION LOGIC
YARINDA BUNNAG
BESIDES BEING A WIDELY KNOWN SINGER AND ACTRESS, YARINDA BUNNAG ALSO PLAYS A ROLE IN THE ARCHITECTURAL DESIGN SCENE, FROM BEING AN ARCHITECT, AN INSTRUCTOR, TO A CO-FOUNDER OF THE STUDIO ‘IMAGINARY OBJECTS’. FIND OUT MORE IN THE ARTICLE
PARKING HOUSE
PARKING HOUSE IS A PUBLIC PARKING BUILDING FROM FRÁNEK ARCHITECTS THAT FEATURES A DISTINCTIVE FAÇADE CREATED FROM A ‘ROAD BARRIER’ AND ACTS AS A CATALYST FOR URBAN CONNECTIVITY AT THE SAME TIME