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AIM INTERIOR DESIGN

PHOTO: PANORAMIC STUDIO

(For Thai, press here)

WHO
AIM INTERIOR DESIGN COMPANY LIMITED

WHAT
AIM INTERIOR DESIGN is an interior architecture design studio founded in 2018 by Suthasinee Suwanwalaikorn. With our beliefs in the competence of interior architecture, we aim to express our philosophy through designs with the interrelationship between interior design, architectural space, and its context.

BAC Office, project in collaboration with SSAA Studio

BAC Office, project in collaboration with SSAA Studio

BAC Office, project in collaboration with SSAA Studio

BAC Office diagram

WHEN
Started off as a freelance interior architect in 2018 and registered a company in 2022

WHERE
Bangkok, Thailand

WHY
We “aim” to curate an aesthetically pleasing space that functionally escalates people’s quality of life.

 

 

MFEC Office (Phase 2) diagram

How would you define creativity?
We believe that creativity is an act of turning anything or any idea into reality. There is no right or wrong, just different perspectives.

Describe your practice in three words.
Attentive l Collaborative l Customer-Oriented

MFEC Office (Phase 3)

MFEC Office (Phase 3)

MFEC Office (Phase 3) diagram

 

Where do you go, or what do you do when you get stuck on a project?
Put myself in the new environments, go to new places, see new faces, listen to other people’s stories or spend time on other kinds of art that could help activate my emotions and creativity.

What project are you most proud of?
Not particularly on any specific projects but we’re always proud when our clients are satisfied with the work we deliver to them : )

Reflection Jomtien Beach Pattaya Condo, Project in Collaboration with VIDA Design Studio

Interior : AIM Interior Design, VIDA Design Studio

 

If you could invite any creative out for coffee, who would you choose and why?
Peter Zumthor since he has a very unique design approach with thoughtful details.

Reflection Jomtien Beach Pattaya Condo, Project in Collaboration with VIDA Design Studio

 

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LA CASA DEL DESIERTO | GUARDIAN GLASS

LA CASA DEL DESIERTO | GUARDIAN GLASS

AMONG THE EXTREME HEAT OF GORAFE DESERT,  LA CASA DEL DESIERTO DESIGNED BY OFIS ARCHITECTS  IS CONCEIVED INTO PROMINENT ARCHITECTURE BY USING  SUNGUARD EXTRASELECTIVE SUPERNEUTRAL 60 (SNX 60) AND CLIMAGUARD® PREMIUM2  WHICH CONTRIBUTE TEMPERATURE CONTROL AND  ALLOW NATURAL LIGHT INTO INTERIOR SPACE

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BUDDHAANDZ

PHOTO: PURIN CHAWARATTANAWONG

(For Thai, press here)

WHO
Buddhaandz

WHAT
A modern art studio inspired by Buddhist mythologies, expressed using various combinations of old and new techniques to cultivate an appreciation in both art and Buddhism.

WHEN
It started with a senior project while I was studying Material and Context base at the Faculty of Architec-ture’s Department of Industrial Design, Chulalongkorn University. The project I did was a continuation of my experimentation on materiality with the help of Assitant Professor Dr. Takerng Pattanopas, Assistant Professor Pim Sudhikam and Assitant Professor Dr. Juthamas Tangsantikul. The work was first shared on my personal social media account and the feedback was quite good so I decided to carry on with the de-velopment.

WHERE
I work at home and at temples at times (when I want to focus on my thoughts) and there may be exhibitions happening in the future.

WHY
Buddhism has always been an integral part of my subconscious since I was young. It has always been a part of the environment I grew up in. I was lucky enough to be able to go to a Sunday Buddhist school when I was a kid. My friends would talk about Conan the Japanese comic and I would picture images of a Chadok tale from the Bhuddha’s teaching, Conandhawisan, in my head.

Then I started to watch a lot YouTube videos and felt inspired by many content creators so I would read the books they recommended and apply what I read to my work. My dad is an avid amulet collector but I wasn’t all that into the conventional stuff. I like art toys. So, the idea of mixing that with Buddhism sort of gives birth to this work that I’m doing.

How would you define creativity?
It’s an application of existing objects and know-how into the development of something useful. It’s some-thing that allows me to practice and learn. At the same time, the creative process helps me meditate and prepare myself to handle changes because once the production process takes place, the reality will be dif-ferent from what you envision in your head. The important thing you can do is to control your emotions at all times because it affects how your work turns out.

Describe your practice in three words?
Dharma l pop culture  l  ancient processes (it’s like how there’s a specific type of ice cream made with this so-called traditional process but nobody really knows for sure what ‘traditional’ really is).

 

Where do you go? or what do you do when you get stuck on a project?
When I’m stuck with my thoughts, I would go do something entirely different from the work I was doing. If I want to keep my creative flow, I have to go take a walk outside and take time to observe my surroundings. Listening to hip-hop music helps tremendously with my creative process. Going to temples to make merits also helps me creatively. If I’m too lazy to walk, I would read. I read poetry sometimes. Ideas usually come when I let my mind wander and I would write them down. When there’s a project that comes along, I would match it with one of those ideas.

What project are you most proud of?
The Still Buddha and Cloud Robe. It was magical when I found this part of the Buddha sculpture and it was like I saw this vision of this wave and that I was supposed to create it into a sculpture, and several other works that would follow.

If you could invite any creative out for coffee, who would you choose and why?
Daniel Arsham. I was such a huge fan of him since he wasn’t that very well known but his works have in-spired me so much whether it the actual making process, the thought process, how cool and expensive they are. I was in the Netherlands and saw his works being exhibited with Banksy. Being there and seeing the real thing with my own eyes, I was super impressed. With that work, he played with time and historical objects, and how the present is the past of the future. He signed his signature and dated it a thousand years from now. For example, if it was the year 2022, he would sign 3022. There are actually many crea-tive individuals that I would love to have a drink with because there is so much more for me to learn.

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SCENIC ARCHITECTURE OFFICE

KULTHIDA SONGKITTIPAKDEE AND JENCHIEH HUNG INVESTIGATES THE OCCURRENCE OF ‘FORM’ IN SCENIC ARCHITECTURE THROUGH SOME PART OF 12 PROJECT’S ANALYSIS IN THE BOOK ‘THE REBIRTH OF FORM-TYPE’, REVEALING THE EVOLUTION AND PIVOT OF CHINESE ARCHITECTURE SINCE THE 2000s

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