THE LATEST FILM BY BONG JOON-HO LIVES UP TO THE HYPE. A HYBRID OF A DRAMA AROUND SOCIAL INEQUALITY TAKES THE AUDIENCE THROUGH ITS COMPLICATED DIMENSIONAL NARRATIVE
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THE EPILOGUE OF THE STUDY OF FRONT PALACE (WANG NA) WHERE CURATORIAL TEAM LED BY NATHALIE BOUTIN, SIRIKITIYA JENSEN AND MARY PANSANGA UTILISES THE ISSARA WINITCHAI THRONE HALL, NATIONAL MUSEUM, AS A CONTEMPORARY ART SPACE
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AT THE BACC’S ‘EARLY YEARS PROJECT #4’ THIS YEAR, THE TERM AMBIGUITY SEEMS TO PLAY MORE IMPORTANT ROLE THAN THE EXACT MEANING OF THE WORKS
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THE EXTENSION OF THE ARTICLE ‘BEHIDE THE SHOW : HUMANIMAL, PUBLISHED IN ART4D 267 ‘CRAFTING’, WE SPEAK WITH DUJDAO VADHANAPAKORN ABOUT WHAT SHE REALLY EXPERIENCED WHILE SHE WAS TURNED INTO THE SUBJECT OF THE SHOW SHE CREATED
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THE CURRENT SITUATION IN THAILAND IS ONE WHERE THE SOLDIERS ARE STRUTTING OUTSIDE OF THEIR BASES, WHILE THE ARTISTS ARE THE ONES OCCUPYING SUCH SPACES WITH THEIR ART WORKS
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THE PUBLIC TALK #1, JOINED BY SORAYUT AIEMUEAYUT AND SUPAPONG LAODHEERASIRI. THE TALK IS ONE OF THE NEXT STEPS ACTIVITIES, A PART OF EARLY YEARS PROJECT 4: PRAXIS MAKES PERFECT EXHIBITION
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NAVIN RAWANCHAIKUL’S LATEST EXHIBITION UNFOLDS THE WEB OF HIS MEMORIES THROUGH A CONSTELLATION OF NARRATIVES THAT TURN OUT TO BE A MEMORY COMPLEX
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THE COLLABORATION BETWEEN THAI AND GERMAN CERAMIC ARTISTS HAS CREATED SOMETHING TOGETHER TO FIND A LINK BETWEEN THE CULTURE OF CRAFT HIDDEN UNDER THE APPEARANCE OF A SIMPLE PIECE OF WORK.
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IN THE EXHIBITION ‘DIN CLAY TON’ HELD RECENTLY AT BACC, ART4D GOT A CHANCE TO SPEAK WITH WASINBUREE SUPANICHVORAPARCH ABOUT THE COMMON GROUND BETWEEN THE TWO PRACTICES — PHOTOGRAPHY AND CERAMIC AND HIS COLLABORATION WITH STEFANIE HERING, THE GERMAN CERAMIC ARTIST
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ART4D TALKED WITH THE PEOPLE BEHIND THE REGIONAL ART ACTIVITIES HELD IN CHIANG MAI OVER THE PAST FEW YEARS
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