EXPLORING MYTH, CARNALITY, AND DECAY THROUGH MICHAEL SHAOWANASAI’S EXHIBITION ‘G’SEIN’
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THE EXHIBITION BY PRATCHAYA PHINTHONG HAD DISMANTLED BANGKOK CITYCITY GALLERY’S ‘WHITE CUBE’ LOOK. THE BUILDING IS STILL A GALLERY, BUT ITS VERY CLAIM TO BE AN ART SPACE WAS STRIPPED Read More
‘REMNANTS OF FADING SHADOWS’ IS AN INSTALLATION THAT EXPLORES THE BOUNDARIES OF MEMORY, THE NEAR AND THE DISTANT, AND THE INCOMPREHENSIBLE Read More
A RECORD OF THE GROWTH OF AN 11-YEAR-OLD BOY, WHO SHARES HIS LOVE, FAMILY RELATIONSHIPS, PERSONAL DREAMS, AND FRANKLY QUESTIONING THE WORLD, IN ‘BEMYSELF’ SOLO ART EXHIBITION BY ROMAN Read More
FROM THE DICTIONARY ON THE SHELF TO THE PAPER THAT OVERFLOWS, ‘THIS PAGE IS INTENTIONALLY LEFT _____.’ AN EXHIBITION THAT OPENS UP SPACE FOR EMPTINESS TO WORK INSTEAD OF WORDS Read More
‘LAB-SING’, AN EXHIBITION BY SWATCHROKORN WANNASORN, OPENS UP A SPACE FOR PERSONAL MEMORIES TO COLLIDE WITH HISTORY AND THE CHANGING LANDSCAPE
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A ROCKING ROAD TO THE MOON, THE LATEST EXHIBITION BY TADA HENGSAPKUL THAT TAKES US ON AN EXPLORATION OF DREAMS, INEQUALITY, AND THE ROAD TO THE FUTURE THAT HAS YET TO ARRIVE Read More
THE POETRY BY SIRIWAN SIMINGAM AND NALATTAPHORN NANTA WAS FORMED WITH THE REMNANTS, CAREFULLY LAID OUT ONCE AGAIN ACROSS THE FLOORS OF BANGKOK KUNSTHALLE BUILDING, WHERE THEY ONCE BELONGED Read More
‘THE SHATTERED WORLDS: MICRO NARRATIVES FROM THE HO CHI MINH TRAIL TO THE GREAT STEPPE,’ AN EXHIBITION EXPLORING THE IMPACT OF THE COLD WAR THROUGH THE WORK OF CONTEMPORARY ARTISTS FROM SOUTHEAST ASIA AND EURASIA, AT FOUR VENUES ACROSS BANGKOK Read More
‘PINK MARS,’ MANIT SRIWANICHPOOM’S LATEST SOLO EXHIBITION, TAKES US ON A JOURNEY INTO THE HYPER-CONSUMERISM UNIVERSE ON MARS THROUGH AN AI VERSION OF PINK MAN Read More
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